Kevin Parker (Kevin Richard Parker) Quotes
Quotes to Explore
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I'm not going to roll back anything. Nothing is going to change with respect to reproductive rights.
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In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
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To be honest, once you've driven around for about five, 10 laps, you don't notice a difference.
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The stopwatch doesn't lie. The tape measure doesn't lie.
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I didn't want to set up a women's studies program. I thought women should learn to operate in a coeducational atmosphere, because, especially in national security and international affairs, it's male-dominated.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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In film, you're so much in the hands and at the mercy of the editor, so sometimes it's good to watch it just to see how it turns out - it can be so different than how you imagined it. But sometimes it's better to just let it go for your own sense of self worth.
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I am not opposed to intelligence reform on its face, but any changes should reflect the current context.
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We have a tax code whose complications and levels of unfairness and levels of choosing people to give tax breaks to and choosing people to deny them to is thousands of pages long with endless complications and unbelievable manipulations by everybody.
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You don't have to feel confident to act confident. In fact, it's the most important acting job you can learn.
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Let's overwhelm the Castro regime with iPhones, iPads, American cars and American ingenuity.
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I always try to start my weekend by running on the beach, which is great fun here in Barcelona.
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I didn't particularly like being objectified.
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The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
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It is dangerous for mortal beauty, or terrestrial virtue, to be examined by too strong a light. The torch of Truth shows much that we cannot, and all that we would not, see.
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Not a lot of people know this, but I'm very good at mathematics. When I was an angry teenager, I used to sit in my room and do quadratic equations to calm myself down.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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I was trying to be Mary Tyler Moore. I loved her in 'The Dick Van Dyke Show.'
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I try to write in the mornings, as soon as I'm up and caffeinated, and to stay in the chair as long as I can be productive.
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In my work I try to reach and speak to that innocence, showing it the fun and joy of living; showing it that laughter is healthy; showing it that the human species, although happily ridiculous at times, is still reaching for the stars.
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Such is the state of life, that none are happy but by the anticipation of change: the change itself is nothing; when we have made it, the next wish is to change again.
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We must all begin to question the experts. They have not really been right. No abundance of material goods can compensate for the death of individuality and personal creativity.
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I'm quite arty. I didn't know whether to become an artist or musician but I realised I could paint with music. All my songs have colours.
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It's 2013, and you can make music anywhere. We've got laptops.
