Kevin Patterson Quotes
Mark Helprin and Lawrence Durrell, both of whom write fat and florid novels that appall me now but opened my eyes to the power of fiction when I was in my 20s.

Quotes to Explore
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I wanted my children to have the same exposure to the water I had. My strongest memories of Northeast Harbor are going in a small Whaler with my dad, looking for osprey.
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There's nothing wrong with constructive criticism, and I learn from that and better myself. I'm not expecting anyone to be sycophantic in any way; I never expected that.
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I became fascinated by marionettes, which I first saw in Venice. They were so haunted and so alive. You walked by them, and you could feel their presence, with their beady eyes just fixed on you.
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I love and adore being a mother. It's the greatest gift I've ever been given.
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When Paris has to pee, Paris has to pee!
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I was gladly cuffed, shackled, loaded into the caged bus and driven through the main gate of Bare Hill Correctional Facility for what I pray to God will be forever.
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Well, youth is the period of assumed personalities and disguises. It is the time of the sincerely insincere.
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There's been a big buzz about the Charlatans in the last couple of years. I've heard the word Charlatans more in the last few years than I'd heard it for the previous 20 years. People would interview me for years and never even mention the Charlatans.
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I am really happy to see the number of entrepreneurs in India - not only because of the ideas they have but also because of the passion at which their ideas are put across.
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Apparently, I'm very good at firing a gun without blinking, which is unusual. That's why so many action characters have to wear sunglasses during shoot-out scenes. That's my party trick.
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The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
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Spiritual practice should not be confused with grim duty. It is the laughter of the Dalai Lama and the wonder born with every child.
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I don't sleep well. I rehash everything in bed. The mind's still working.
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It was among farmers and potato diggers and old men in workhouses and beggars at my own door that I found what was beyond these and yet farther beyond that drawingroom poet of my childhood in the expression of love, and grief, and the pain of parting, that are the disclosure of the individual soul.
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Our first phase was inviting all the women Ambassadors who were here from other countries and trying to get in touch with all the peace centers around the country in order to focus on increasing the volume and activity toward peace.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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I think as a filmmaker one should make all kinds of films. It is not that one should make only one kind of film. I love to see romantic films; I loved watching 'Dilwale Dulhaniya Le Jayenge,' 'Kuch Kuch Hota Hai.' If I make such films, I will make it with my yardstick, according to my parameters.
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In the Senate, there is a wide spectrum of views on foreign policy.
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I've sort of closed my mind off to reality shows: I just don't watch them, don't care about them, don't know who the characters are, but they're all in general usage.
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Sometimes when you're given hurdles, it makes you more creative in the end.
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Well, this is a bull market, you know.
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I think anytime with your mom, whether she's famous or not, you're watching what she's doing when you're growing up. She also taught me the basics: Make sure you use a good moisturizing shampoo and conditioner, and then use a detangler to comb through your hair. And don't overdo the heat styling.
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Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.
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Mark Helprin and Lawrence Durrell, both of whom write fat and florid novels that appall me now but opened my eyes to the power of fiction when I was in my 20s.