Aerin Lauder Quotes
Quotes to Explore
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I heard that in the United States the level of baseball was the highest in the world. So it was only natural that I would want to go there, as a baseball player.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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I want to lay all my cards out on the table and walk away with no regrets.
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Real parent engagement means establishing meaningful ways for parents to be partners in their children's public education from the beginning - not just when a school is failing. The goal should be to never let a school get to that point.
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It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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His mother should have thrown him out and kept the stork.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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When things are scary, or there's a struggle, I always think, 'How is this going to sound in my biography?' Sometimes I would just be living on protein shakes or the cheapest food that I could afford because I didn't have a lot of money.
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My children are grown now, they are more independent.
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It wasn't glamorous in my day. In the regions, reporters were seen as such low life that they didn't merit their name in the Radio Times. Now people are interested in being famous. I never gave it a thought.
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The voter does not vote only on one issue, the voter votes on a multiplicity of issues.
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I don't relate to what's left of the music business. There doesn't seem to be any point to it anymore. The business that I grew up in and loved, we made records a different way - there were record companies, there were stores where you could buy albums.
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Don't forget the late '70s was dominated by people like the Queen of Disco Donna Summer and everybody who was in that bag. We were already in dance mode, the Bee Gees were out with the most fantastic record the world had ever heard, so the world was in the mode. Anything outside of that mode was secondary.
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My EP, 'Room 93,' was all about isolation - it was based on the idea of being in a hotel room and being totally alone with yourself or that other person.
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When you see a Sudanese walking on the street, there is a story.
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If there be one man, more than another, who deserves to succeed in flying through the air, that man is Mr. Laurence Hargrave, of Sydney, New South Wales.
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My actual first summer internship was in the design department of Clinique.
