Agnes Gund Quotes
I'm hoping someday that we'll be able to start a consortium with places like Carnegie Hall to work on early childhood education. I really feel that's the most important place to put the arts.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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I've always been in love with music, but I've never thought to sing.
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I work so hard, but... everything just goes my way! It's insane!
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If there were only one truth, you couldn't paint a hundred canvases on the same theme.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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I do feel as if... Look, I think I'm a very kind of ordinary person, and it seems to me that things that are of interest to me will probably be of interest to other people. I'm not exceptional; I don't have exceptional thoughts.
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I think I am at my best when my hair is short. It's easier to take care of and more of who I am. Women are conditioned to think we need long hair.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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I use coconut oil every single day. I apply coconut oil on my whole body for moisturising. The oil can also be used as make-up remover, as it is light-based and is not sticky.
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I wear Rick Owens T-shirts to bed. They are like my thermals, since I sleep with the room at near freezing temperatures, like a meat locker.
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I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity.
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I just want to show the fans my big smile and play the game that I love.
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We think of stars as celestial beings. And once in a while, they smile at us from the pages of 'People' magazine.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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You have one big mythology in your favor: Everyone believes that you Europeans are impeccable. But I know you are jerks.
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It's a universal truth that no parent wishes to acknowledge that the fear and phobias we are in thrall to in adulthood almost invariably connect back to childhood experiences.
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Most archaeology in London these days is rescue archaeology – projects designed to preserve as much as possible from the relentless cash-driven redevelopment. It’s not a new problem. Ask a medievalist about Victorian cellars or an Iron Age specialist about medieval ploughing – but take snacks, because you’re going to be there for a while.
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From my earliest acquaintance with the science of political economy, it has been evident to my mind that capital was the product of labor, and that therefore, in its best analysis there could be no natural conflict between capital and labor.
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The truth is that the history of the last couple of thousand years has been broadly repeated attempts by various people or institutions - in a Freudian way - to rediscover the lost childhood of Europe, this golden age of peace and prosperity under the Romans, by trying to unify it.
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I'm hoping someday that we'll be able to start a consortium with places like Carnegie Hall to work on early childhood education. I really feel that's the most important place to put the arts.
