Kevin Spacey Quotes
In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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It takes three to make a child.
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The loneliest Chinese man I ever met lived halfway up the Three Gorges, in Sichuan Province.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
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I just put on what the lady says. I've been married three times, so I've had lots of supervision.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I went with Lionel Hampton for three years. Out of that came a trip to Europe.
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I had an unhealthy obsession with 'Only Fools and Horses.' I still have to watch an episode with my brother every two or three weeks.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I've been close to two or three couples, gay and straight, who have been together for 45 years.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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One out of three jobs in Washington is tied to trade.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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There is something magical about three you know - a trio is tight and nicely economical.
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If I wasn't a film-maker, I'd be a film critic. It's the only thing I'd be qualified to do.
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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Why is it that a connection that seems to have nothing to do with looks—because it feels so much deeper than that, like a connection of minds and souls—is actually entirely dependent on looks?
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In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
