Kevin Spacey Quotes
The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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I was thinking about the women of Pakistan, those who are not allowed to get education, those who are not allowed to do whatever they want to do in their life. I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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Do not measure your loss by itself; if you do, it will seem intolerable; but if you will take all human affairs into account you will find that some comfort is to be derived from them.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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I had no desire to crash a man's world.
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I got to write most of everything I said.
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My fear with Trump was always that he didn't have great solutions.
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When I was younger, I wanted to marry early, like at 23. Year by year, I found things I wanted to do, and the thought of marriage disappeared. But I don't want to marry too late. Around 31?
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I love learning new things that will never be put to practical use.
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This is the beauty of fiction. We may not like these characters, but we inhabit them.
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The Athanasian Creed is to me light and intelligible reading in comparison with much that now passes for science.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
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If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
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A journalist covering politics, most of us are aware of the necessity to try to be sure we're unbiased in our reporting. That's one of the fundamentals of good journalism.
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I don't think I ever write songs involving politics, because they get dated way too quick. Any view you have can usually be made into something more general, and that can stand throughout time.
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Statistical studies are all over the lot about the pluses and minuses of raising the minimum wage.
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Consider the most famous pure dystopian tale of modern times, 1984, by George Orwell (1903-1950), published in 1948 (the same year in which Walden Two was published). I consider it an abominably poor book. It made a big hit (in my opinion) only because it rode the tidal wave of cold war sentiment in the United States.
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I prefer lump charcoal over briquettes but I do use both for different reasons and different recipes and sometimes I combine them both when I really want the woodsy aroma from the lump charcoal and long, even heat from the briquettes.
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It's motivation. Some people are gifted at specific things, but I had to develop. The thing I'm most talented at is the ability to learn.
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No no there wasn't any planned 14th season, we all saw the writing on the wall. The ratings had been going down and so fourth, that curve goes on every show and in everybody's life.
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The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies.
