Kevin Spacey Quotes
The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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I was thinking about the women of Pakistan, those who are not allowed to get education, those who are not allowed to do whatever they want to do in their life. I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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Do not measure your loss by itself; if you do, it will seem intolerable; but if you will take all human affairs into account you will find that some comfort is to be derived from them.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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I had no desire to crash a man's world.
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I'm always on the phone because I'm usually not with the people I want to be with.
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I got to write most of everything I said.
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My fear with Trump was always that he didn't have great solutions.
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When I was younger, I wanted to marry early, like at 23. Year by year, I found things I wanted to do, and the thought of marriage disappeared. But I don't want to marry too late. Around 31?
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I love learning new things that will never be put to practical use.
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This is the beauty of fiction. We may not like these characters, but we inhabit them.
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The Athanasian Creed is to me light and intelligible reading in comparison with much that now passes for science.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
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If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
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A journalist covering politics, most of us are aware of the necessity to try to be sure we're unbiased in our reporting. That's one of the fundamentals of good journalism.
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I don't think I ever write songs involving politics, because they get dated way too quick. Any view you have can usually be made into something more general, and that can stand throughout time.
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Fear not; and the God of mercies grant a full gale and a fair entry into His kingdom, which may carry sweetly and swiftly over the bar, that you find not the rub of death.
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For a wholesome collaboration of the sexes in professional life will be possible only if both achieve a calm and objective awareness of their nature and draw practical conclusions from it.
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The question isn't whether you have a good master or a bad master. It's to be your own master. That is the dignity of humanity.
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Every man may reign secure in his petty tyranny, and spread terror and desolation around him, until the trump of the Archangel shall excite different emotions in his soul.
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My best advice to anyone who wants to raise a happy, mentally healthy child is: Keep him or her as far away from a church as you can. Children are naive - they trust everyone. School is bad enough, but, if you put a child anywhere in the vicinity of a church, you're asking for trouble.
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The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies.
