Aidan Gillen Quotes
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'You're Ugly Too' isn't a comedy, but it has a lightness of touch with a hard edge. But it's essentially a warm story tinged with a bit of melancholy in the great Irish tradition. I'm very proud of that film.
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Everything's borne out of human experience, of course - rejection, humiliation, poverty, whatever. People aren't born bad, no matter how harsh the circumstances. There is a person in there, and that person is not made of ice.
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I'd quite like to do a musical. I'd probably have to develop that myself.
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I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.
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So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
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Becoming a father has made my life a lot more interesting. It's like everything slows down because time goes slower, and you notice that you're actually awake for so many more hours. Your waking hours elongate because you're doing things at a child's pace.
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I didn't want to go to college or work in an office or have a nine-to-five job. I knew that quite clearly before I left school.
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I don't do a lot of reflecting. I'm usually about getting on with it.
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I try to keep my integrity. I don't want to be in 'Hello!' or on 'Celebrity Big Brother.'
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In drama you can either pretend everything is OK, or you can show the world as it really is in the hope that it gets better.
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It's always a good idea to let the audience make up their own minds.
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It might take me an hour to get to feel at ease with somebody. I don't find it easy to go into a room full of 10 people and give it all away. In the pilot season in Los Angeles I've done that a couple of times.
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It's always more interesting to take on someone that's going to have hidden sides or a fatal flaw, because there's going to be more to play with - more conflict, internally or in and around them - but it's probably the thing of finding the positive in there.
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I've made a point of trying not to play the same part, and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year and people have forgotten you. If you like having time off, which I do, that's a good career strategy.
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Because work takes up a lot of time, you have to choose your moments for really letting rip. I hang out with my friends and my family and I spend time with my kids when I'm not working. They don't see my being an actor as exotic. For them, it's just an everyday thing. Sometimes it's amusing to them and other times, embarrassing.
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Both 'The Wire' and 'Queer as Folk' had a big scope. They were panoramas, telling ambitious stories about two cities, Baltimore and Manchester, for the first time.
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For me, now, working and children is it. There's nothing more to life.
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People say 'The Wire's bleak, y'know, but I see it as a love letter to Baltimore, and it's one written in a very strange and complex way.
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The first time I played a killer, in the 1997 film 'Mojo,' I went to my local video shop and got out a video of real executions and a history of the Third Reich. The guy in the shop was giving me a look. I thought this would help, but I don't think it made any difference, and I don't want to see any more executions.
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I myself started out quite young; when you're working, professionally, even if you are in your teens, you just want to be treated the same as everybody else. You just want people to see you as an actor and not as a kid.
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I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.
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'Heroes', 'Desperate Housewives', 'The Sopranos' - they're all very stylised. 'The Wire' is much more rooted in realism and honesty. In American television, I can't think of anything I'd rather have been in because it has got something to say and that is the kind of thing I want to do.
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I hate it when people tell you you're good when you know that you're not.
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I do consider how I spend my time off carefully because I've got two kids.