Camille Paglia Quotes
I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
Quotes to Explore
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I hope I don't just sit around moping for two years.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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It takes 20 years to make an overnight success.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
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I think I've become more modest as the years have gone on.
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In Montreal, I kept thinking, 'Pay attention: this is the Olympics! It only happens once every four years!'
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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In all my years of baseball, I have always expected to be traded. I never liked the idea.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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Are you a Democrat because you're a union member? Then why, after eight years of Bill Clinton, does some Chinese guy in Guangdong province have your job?
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It would be great to make a movie that had the style of a great '30's film.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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For 50 years my father worked for the railroad.
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I started as a musician, then I was a singer. I sang with the band. Then I was an actor in the theater, TV, films. But I guess I am a song and dance man. It's at the heart of everything I do.
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Maybe it's a little ambitious of me to presume that no matter how big the film is, that I can always go down to the shop to buy a pint of milk.
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I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
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He was a sociologist; he had got into an intellectual muddle early on in life and never managed to get out.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
