Khalil Gibran Quotes
The lust for comfort, that stealthy thing that enters the house a guest, and then becomes a host, and then a master.
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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The winner of the hoop race will be the first to realize her dream, not society's dream, her own personal dream.
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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I do not feel remorse. Everybody makes mistakes in war.
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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I like to read in the bathtub. Ideally, that bathtub would be located on a small Greek island.
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If I can save one kid's life, for me, it's absolutely worth it.
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I love being in a courtroom.
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My education was very tough.
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I never wanted to just press play on some DJ set and let the lights do all the work. I value old-fashioned performance a little more than that.
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Bohemia is nothing more than the little country in which you do not live. If you try to obtain citizenship in it, at once the court and retinue pack the royal archives and treasure and move away beyond the hills.
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I am not a good cue card reader.
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Jill Clayburgh's life so closely paralleled mine, I feel as though a part of me lived a little through her and died a little with her.
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When our backs are on the wall, that's the time when we enjoy having fun, relax out there, do our thing, don't get the pressure on, see the results, day by day, game by game.
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I always feel more comfortable in chaotic surroundings. I don't know why that is. I think order is dull. There is something about this kind of desire for order, particularly in Anglo Saxon cultures, that drive out this ability for the streets to become a really exotic, amorphous, chaotic, organic place where ideas can, basically, develop.
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Outlining is like putting on training wheels. It gives me the courage to write, but we always go off the outline.
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'The Road' was my first American film, my first film in the snow. The first of everything. So, I was jumping into it, and that was pretty grueling.
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I liked Edinburgh as a university in a way that I'd never enjoyed King's College London. I realised after I came to Edinburgh that perhaps it was a mistake to have gone to a college which was bang in the centre of a vast city. It had a bad effect on the social life of the students because a lot of them were commuting from outer London.
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My mother had a son from previous marriage and her husband died in Second World War.
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I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.
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A little imagination goes a long way in Fes.
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The lust for comfort, that stealthy thing that enters the house a guest, and then becomes a host, and then a master.
