Kian Lawley Quotes
Quotes to Explore
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I needed an opportunity to get back in the studio and get my recording chops back together.
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I don't think many people will re-read 'The Da Vinci Code.'
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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I originally went to school for writing, for non-fiction. I'm specifically a poetry major within literature, but I don't know.
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Making a movie is like an accelerated version of growing up with someone. You spend so many hours a day with each other, and you're putting your heart into this same effort.
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War is the domain of physical exertion and suffering.
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I decided to write 'True Refuge' during a major dive in my own health. Diagnosed with a genetic disease that affected my mobility, I faced tremendous fear and grief about losing the fitness and physical freedom I loved.
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This is my spiritual journey through life, my way of making sense of the world. I don't need permission from anyone or accolades from anyone; it is completely internal.
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I started working at the age of 2, doing commercials and modeling in New York.
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If we could create invention capitalism, that would be a helluva legacy, that would be a helluva thing to do... We could actually turbocharge the rate at which the world invents things.
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I'm in a very fortunate position, in that if I had an idea, and I could do it on a web budget, I could probably get it made; it's just a question of finding the time to really develop it, because I don't want to make anything that I don't believe in 100 percent.
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My normal cycle for movies is eighteen months and each part is separate.
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Understanding is a three-edged sword. Your side, my side, and the truth.
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If our inner being was to be turned to the outside, and our outer being turned inward, we would appear with more wounds and diseases than the Prophet Job. For each sin that we commit and each doubt that enters our mind causes wounds in our heart and our spirit.
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Yes, we need euthanasia, for certain cases where people are in comas or too immobile to even press a button.
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It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.
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There's a tiny number of Bitcoin wizards and an enormous number of smart developers that have no onramp to Bitcoin. We need to make that onramp easier.
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'Army of one': when the shit hits the fan, you're on your own.14.
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I had to learn to accept myself despite the fact that I was seriously underweight. I had to try and feel sexy.
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How would you have us, as we are?Or sinking 'neath the load we bear?Our eyes fixed forward on a star?Or gazing empty at despair?
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Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.
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I found my father's Super8mm film camera when I was around eight years old and started shooting with it. I had no idea what I was doing at the time, but that's really where my filmmaking began.
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I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
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When I do videos, it's just myself.
