J. M. Coetzee Quotes
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
Quotes to Explore
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I try and spend a lot of time with my kids. I try and have fun with my kids. I try to put father time in there.
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I really don't care if people know who I am or what's said about me.
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I was brought up in an environment where my parents expressed their financial concerns in front of their children.
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I don't do detoxes or cleanses; they don't really work for me.
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If somebody told me you'd be a one and a half billion dollar company and be the largest in the world, I wouldn't have believed it myself.
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I walk around talking to myself in accents. Usually people look at me like I'm a complete fruit loop.
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Belgian chocolate is my weakness. I like over 72 percent cacao, which shows you how much of a dark chocolate snob I am.
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Be skeptical of concepts that divorce war from its political nature, particularly those that promise fast, cheap victory through technology.
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Afghanistan has moved forward and Afghanistan will defend itself. And the progress that we have achieved, the Afghan people will not allow it to be put back or reversed.
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With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
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I want love, because love is the best feeling in the whole world.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
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If I had a spreadsheet on my computer, it looked like I was busy.
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You've got to perform in a role hundreds of times. In keeping it fresh one can become a large, madly humming, demented refrigerator.
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When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
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Capitalism is using its money; we socialists throw it away.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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We need to stay together, to spread the truth like religion. It's a lonely, scary road, and we've got to walk it together.
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Perhaps not as badly applied and not as obvious, but for thousands of years, people have worn makeup on stage.
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I fall in love with human beings based on who they are, not based on what they do or what sex they are.
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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All you have to do is put me in front of the people and put the beat in front of me, and the rest is history.
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South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
