Aisha Tyler Quotes
I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
Quotes to Explore
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Let's judge a man on what he's done.
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You honestly can't go wrong with All Saints. I live in their leather!
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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When you're in your early 20s your love life seems to explode every 20 minutes or so. By the time you've reached your thirties, it is every five or ten years.
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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Virtually everything that gets printed about me is wrong anyway, so it doesn't really matter what you say.
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I was never the pretty girl at school. I'm tiny and mixed-race. I grew up in a white area. I was always the loner.
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But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
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My vision of the border with Mexico is that a truck from the United States going into Mexico and a truck coming from Mexico into the United States will pass each other at the border going 60 miles an hour. Yes, we should have open borders.
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Investing in gold is one of the wisest decisions that you can make as an investor.
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Reverence is fatal to literature.
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I'm neither a millennial nor a hipster.
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I'm so happy with 'Grease' and 'Xanadu,' particularly because of the music in both films.
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We're also fairly stubborn, I think, fairly independent. We have our share of difficulties with our federal government, although I've tried to as I am here encourage a better way of discussing those problems.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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I'm English, and I started off as a songwriter, so I can't really escape that - it's there.
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The last paragraph, in which you tell what the story is about, is almost always best left out.
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I've completely fallen in love with the U.K., and I'd love to spend a couple of months a year there.
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I don't have that kind of Southern experience of the fire-and-brimstone preacher type of thing. Certainly not in my comedy.
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I don't pay attention to stats or anything like that. I just pay attention to how I play and the intensity that I play with.
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With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.
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He can't even be at a casual read and not be creating the whole thing in his mind. I remember feeling very awed about how much he still seems to be so in love with it, and so dedicated to making everything really real and really spontaneous.
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I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
