AJ Lee Quotes
It wasn't cool that I didn't comb my hair and had books and wore glasses. It was never cool be a nerd and tomboy, and these days, it really is. And I'm like, 'You guys have no idea what I went through.' How many times my mother yelled at me to comb my hair.

Quotes to Explore
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We wrote 'Olive Kitteridge' as six hours, and they asked us to make it in four.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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I had spent my childhood making up adventures in my head. Then I realized when I went to acting school that there were adventures written down, and you could learn lines, and you could do the adventures for real, not just in your head.
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I've personally backed off from direct political involvement.
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The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.
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It would be hard to ignore the absence of democracy in any Arab nation.
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I wish more people felt that photography was an adventure the same as life itself and felt that their individual feelings were worth expressing. To me, that makes photography more exciting.
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What makes me really happy is a walk in the English countryside. A nice sunset, that British countryside - it means I'm home.
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
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I would say that no film is apolitical. There are politics in all films. Any film that is anchored in a society, any film that deals with humanity is necessarily political.
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I was supposed to be women's lib, and now I'd exceeded it and gone over into international politics.
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When I come offstage, if I've done a bad show or had a bad night, the fact that everybody was standing at the end or three or four times during the show means nothing to me. I know I could have done a better show.
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With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
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We are a total of our sum parts, right? I came from a family of very strong women - black women. And if I go back as far as my great grandmothers, there was always that love and the ability to be nurturing. Then I grew up in a household where my father was the one who was more affectionate with me.
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The corporate right fires up the religious right against gay marriage and abortion and uses their votes to push their deregulation and tax cuts for the rich. It's an old trick. The House of Saud has the same arrangement with the Mullahs in Saudi Arabia.
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At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.
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College inspired me to think differently. It's like no other time in your life.
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My music is a personal thing, and I feel like if I talk too much about the songs, or if there's too much of my personal life out there, it ruins it.
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Lir chiseled at the stone. It would take a month to make a perceptible impression on it. He had a few hours. Work harder, then.
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When I worked with M.I.A., who was, like, the coolest person back then, she was just a girl I met on the Internet. Or even when I met Azealia Banks on Myspace, I never thought, 'Oh, she's cool.' I just loved what she was doing. So I've always been like that. And I think, as a producer, that's what you've gotta do.
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I think I got a lot of my 'funny' DNA from my mother, who had a glorious sense of the ridiculous.
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Craving, not having, is the mother of a reckless giving of oneself.
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In exasperation, I furiously attacked the floors and walls of the Moscow Theater. My mural paintings sight there, in obscurity. Have you seen them? Rant and rave, my contemporaries! In one way or another, my first theatrical alphabet gave you a belly-ache. Not modest? I'll leave that to my grandmother: it bores me. Despise me, if you like. (ca. 1921)
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It wasn't cool that I didn't comb my hair and had books and wore glasses. It was never cool be a nerd and tomboy, and these days, it really is. And I'm like, 'You guys have no idea what I went through.' How many times my mother yelled at me to comb my hair.