Johann Wolfgang von Goethe Quotes
Quotes to Explore
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I want to be with those who know secret things or else alone.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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I know only two tunes: one of them is 'Yankee Doodle', and the other isn't.
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If there is any way you can get colder than you do when you sleep in a bedding roll on the ground in a tent in southern Tunisia two hours before dawn, I don't know about it.
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You know once you get in the business you know what you're getting into.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I like to put a stake in people, because I know people helped me.
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I know how to make a record that commercial radio or Triple J will smash now... It's kind of hard to stay true and write what you would write if you didn't have that in your head. Because I know I can get way more airplay and get this much bigger... and that's what I'm trying to avoid doing. Trying to avoid the poisons of success.
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I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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Know or listen to those who know.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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We all know in our hearts that forgiveness is the right thing; it's just a matter of being inspired to reach that place.
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I felt like an outsider. The only time you get to really know guys is on the ice, and I couldn't be there.
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We are wiser than we know.
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But you know the thing that I thing oftentimes gets ignored and neglected is there was 10 or 12 years of life before I met Amy and before she met me, where you know, whatever happened was probably going to happen some day.
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I don't know a lot about politics.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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The poet Amanda Nadelberg puts it nicely in an interview when she says "often what I listen for in poems is a sense that the writer is a little lost, not deliberately withholding information or turning on the heavy mystery machines, but honestly confounded - by the world? isn't it so? - and letting others listen in on that figuring." That's what engages me - the mind in motion, the drama of someone in the process of thinking - and it's the elusive mystery of those movements that I hope to capture in my essays.
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I don't think anyone could play me. It would have to be me.
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Here's the thing: I was charming. Well read and well spoken. Observant and even kind. In other words, I was kind of a catch. And I knew this was true. As long as you couldn't see me. If you saw me, you'd think I was the sea cow that had swallowed your catch.
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To know where a thing is we must have found it.
