Johann Wolfgang von Goethe Quotes
Quotes to Explore
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The most significant barrier to female leadership is the actual lack of females in leadership. The best advice I can give to women is to go out and start something, ideally their own businesses. If you can't see a path for leadership within your own company, go blaze a trail of your own.
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People forget I go to work. They forget that the Coleridge house was bought and paid for by the daughter of a travel agent and a barmaid from what the actor Richard Burton once described as the nightmarish 'featureless suburb' of Croydon.
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My sin as a painter is that I just want to paint anything I want to paint - and repaint.
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The worst I think that I ever was, when 'Unforgettable' had come out, and not long after that I was on - I was on my way to my second divorce. And that was a crushing, crushing blow.
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It makes you vulnerable to win an award. It's nice to get the attention, but your neck is stuck out.
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It makes sense to have cameras in places where terrorism and crime are of particular concern - such as in Times Square or near major bridges and tunnels. It would be more troubling to learn, however, that the government has focused cameras on the front doors of our homes just to keep track of our comings and goings.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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Comedians do movies and TV so that when they tour, they sell out. That's the goal: To get popular enough so the place is packed.
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No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society.
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Democracy requires common ground on which all can stand, but that ground is sinking beneath our feet, and democracy may be going down the sinkhole with it.
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It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life?
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I think that marriage of music and picture is so vital, especially in a film that's almost exclusively exteriors.
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Unfortunately, any girl - unless you're playing the action hero - is going to end up at some point handcuffed, gagged, and waiting for the hero to save her.
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I have a hyper personality.
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I was reading this book called 'Close Encounters of the Fourth Kind.' It's really, really good if you want to believe in that stuff.
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If my subject is alive and is willing to talk to me, I will do it. But I always try to find people who were close, like lovers and family members and work colleagues - because we are what we think we are, but we're also the perception that others have of us. The truth is a sphere. There's always a hidden face.
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By the time I'm 40, interplanetary travel will be common. Nobody will want to talk to me at that age, anyway.
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A good politician is quite as unthinkable as an honest burglar.
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Some writing and production projects will be a great way to spend my elderly rock years.
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'The Movie' is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.
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I never have planned a whole lot of future. It's one day at a time.
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I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
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I think every role you get is going to be a powerful one. As long as you go in with the mindset of, 'Yeah, I'm going to make the most of this.' So that's the kind of attitude I take into each role that I play.
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It is better to be deceived by one's friends than to deceive them.
