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I had lots of breaks. I guess the one that got my foot in the door was singing the National Anthem at the National Finals Rodeo in Oklahoma City in '74.
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Besides, I'm a gypsy at heart and I like to travel around.
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I love to wear boots - and shoes, I don't like at all.
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That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
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I have talked to Debbie Hammond quite a bit, Jim Hammond's wife, his widow. I've seen their kids. And last time we played Dallas, a lot of them came over. It's hard for them to come see the show. It's still hard.
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I've never turned my back on country music.
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I had lots of breaks.
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You know, I get a lot of people pitching songs to me.
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I think it's the way I talk. I think they thought I was too country. And I'm not ashamed of that by any means.
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At this time when I turn 50, because so there's many of my friends and family who didn't get to see 50-years-old, and so, I'm celebrating for them too.
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My family, you know, are all still, you know, very close. We're all still very close. Mom and Daddy are still alive. So, what more can you ask for? Your kids are healthy.
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My goals have changed throughout my life. At one time it was winning awards, selling out concert dates, selling more albums than anyone else. Now, my goals are to see my grandchildren grown, live a long and healthy life with my family and friends and travel the world.
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So, I think it has to do with the product and what you take to the public. If they like it, they're going to come see you, and if they don't, and if you're kind of getting out of the trendy line of things, then they won't come see you.
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I exercise at least five times a week with stretching, Pilates, push-ups, planks, sit- ups, squats and light weights.
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But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.
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To me, being popular means I've got more friends. You've got to watch who your friends are, if you want to get close to them, but I've got a lot of acquaintances. And then, you've got to be real careful who your friends are, because you never know why they're your friend.
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When you're a very ambitious person, the things that are disappointing are when other people around you aren't as enthusiastic.
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For me, singing sad songs often has a way of healing a situation. It gets the hurt out in the open into the light, out of the darkness.
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To succeed in life, you need three things: a wishbone, a backbone and a funny bone.
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I'm open to any kind of situation in a song as long as it touches my heart.
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Finding a good bus driver can be as important as finding a good musician.
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When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.
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I was singing a lot of waltzes. And I was with Jerry Kennedy, my producer, and he was playing me some songs, and he said, hey, I want to play you this song that I'm going to get Jackie Ward to record.
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I have learned a lot about myself and come to deal with a lot of things that, at first, bothered me.