Carol Anshaw Quotes
I have never been on the receiving end of a hate crime, or even a disparaging remark to my face.
Quotes to Explore
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On the whole, it is the rights and freedoms of all citizens that are crucial in Saudi Arabia and from those the rights of women will emanate.
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When history is erased, people's moral values are also erased.
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I suspect that one of capitalism's crucial assets derives from the fact that the imagination of economists, including its critics, lags well behind its own inventiveness, the arbitrariness of its undertaking and the ruthlessness of the way in which it proceeds.
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I am fighting vigorously for less spending, less waste and limited government. I strongly believe that the more government grows, the less freedom Americans have.
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When I first started out, I was a bad actor.
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I worked on the workshop of 'Topdog/Underdog' before it went to Broadway. My minor in school was theater, so I'm based in that, and then I moved to Los Angeles.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
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I consider The O.C. as my college. It was four years and I made friends who I'll have forever.
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My EP, 'Room 93,' was all about isolation - it was based on the idea of being in a hotel room and being totally alone with yourself or that other person.
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I'm probably proudest of being able to lift a lot of us out of the 'hood. That's the biggest thing, that I've been able to employ a lot of people and give them opportunities.
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I don't expect to live forever, but I do intend to hang on as long as possible.
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In the late '70s, I was falling into the middle lane. I was way too country to be rock, and way too rock to be a country act.
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I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
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I'm in no way suggesting that my opinion matters more than anyone else's, of course, but the only thing that bothers me is apathy. People that sit out of the process and complain about it, or pretend that politics isn't a part of their everyday lives.
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I entered the industry at very young age, and I was like any normal girl at the age of 17 or 18. At that age, most girls are a little plump.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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I grew up playing in youth orchestras, so they were my most treasured memories, so to be in front of an orchestra playing my own material would be incredible.
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I developed 'Trapped' because I was fascinated with the idea of a terrible crime in a small town cut off from the rest of the world.
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Life seemed so simple and joyous when I was growing up.
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No, I don’t mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression. It grows in us, that fear. It grows in us year by year.
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I don't know why the guys with the big money don't find five terrific young producers and give each of them enough to commission a musical and to live on for a year. You'd be likely to get at least one project with a future.
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I am so excited to perform; I am so ready to perform; I love live performances! I think it's something so different from a track; live is just so unique and cool because the energy is just so different. I cannot wait to have live performances.
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I have never been on the receiving end of a hate crime, or even a disparaging remark to my face.
