Cristela Alonzo Quotes
I used to love 'Murphy Brown' as a kid. I didn't even understand half of the jokes that were going on, but I loved the character so much that they stood out.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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I think things are funny when the character is taking it totally seriously.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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For the 'Riddick' character, I try to get as ruthless as possible, and I want to be a machine.
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I love disappearing. That's what acting is. For me it's about putting on a persona, stepping into a pair of shoes. It's my face, but I'm using it as a tool for that spirit, that character.
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If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
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Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.
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Well, it speaks to the character of the players more than anything. Bob Myers and his staff have done an incredible job of putting together this roster. I was well aware of the versatility that the roster had, but as I got to know the players I realized they had what it took spiritually, emotionally. They were united. They wanted to win. They were close.
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The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst on us all because we're not pure enough, good omens appear.
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National diplomacy strategies are usually focused on promoting one's interests against others' interests. By emphasizing the global 'we' rather than the national 'I' in the climate change debate, COP 21 proved to be a case in point for a change of lenses.
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I saw Ray Charles at Massey Hall.
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I used to love 'Murphy Brown' as a kid. I didn't even understand half of the jokes that were going on, but I loved the character so much that they stood out.
