Cressida Bonas Quotes
Martin Joyce is a beautiful dancer and an amazing choreographer. He choreographed the Mulberry dance film I was in, 'From London with Love.' A truly talented man.
Quotes to Explore
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I grew up in north Norfolk, which certainly used to have an enormous sense of community. There are more and more second homes there now, so I'm not sure how that has damaged it. But where I live in South London, there is a beautiful community; it's the friendliest place I have ever lived, which comes as a surprise to non-Londoners.
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I tend not to wear accessories. I'm not one of those gals with a drawerful of amazing jewelry. I don't even have my ears pierced! But I have one bracelet that never comes off my wrist.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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'Hell is for Children' is amazing to do every night and 'Promises in the Dark' and 'Love Is a Battlefied,' of course, but my absolute favorite would be 'Heartbreaker.' It's the one that started everything, so it has a very special place in my heart. And it still rocks every night! It's so fun to do.
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I have a really beautiful life right now, so there is no reason to be hostile. I'm a husband, a father and a man who tries to do the right thing in life and in my work.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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Death in its natural state can be very beautiful. When you think about a body that's died of natural causes - family taking care of it - all of that is very beautiful.
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Whenever I went to a wedding or a party, girls kept complaining about their shoes. I love to dance, and I wanted them to have shoes they could keep on all night.
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When you're listening to the radio, you're hearing dance beats, all the bells and whistles, and 'Say Something' makes you quiet and forces you to listen.
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It's surreal to think that I own this beautiful island. It doesn't feel like anyone can own Lanai. What it feels like to me is this really cool 21st-century engineering project, where I get to work with the people of Lanai to create a prosperous and sustainable Eden in the Pacific.
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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I'll never forget the modelling shoot I did in the Bahamas on a pink sand beach at Harbour Island. It felt like I'd just landed in paradise; it was so beautiful.
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I do think that having the villain be a woman is just as feminine, because we're not just saying, 'Women are wonderful and made of marshmallows,' but women can be anything. They can be amazing superheroes, or they can be dastardly villains, and everything in between.
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Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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The Internet is an amazing development.
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There's some beautiful filmmaking on television. I'm getting a lot of my artistic sustenance from what's happening there.
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I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
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Jesus on Twitter would have been a pretty amazing thing.
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A good 80 percent of the vault is still physical and another percentage of it, 20, 25 percent is mental. Mental is always the mental strength, the confidence building up to that contest or repetition, practice, practice, and practice.
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Martin Joyce is a beautiful dancer and an amazing choreographer. He choreographed the Mulberry dance film I was in, 'From London with Love.' A truly talented man.
