Caroline Lawrence Quotes
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
Quotes to Explore
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Since the moment I could hold a pencil, I have spent nearly all day every day writing. And there is not an age group that I have not written for. You can read me from birth 'til death.
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Whatever has happened to you in your past has no power over this present moment, because life is now.
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I get horrified when I have to do table reads with the whole cast, because there's a lot of stuttering coming from me, so I have to do a lot of prep.
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Adding 'just kidding' doesn't make it okay to insult the Principal.
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San Francisco, coolest place ever.
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Badly constructed houses do for the healthy what badly constructed hospitals do for the sick. Once insure that the air in a house is stagnant, and sickness is certain to follow.
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The Law of Triviality... briefly stated, it means that the time spent on any item of the agenda will be in inverse proportion to the sum involved.
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I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
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I call Washington 'the city of the perishable.'
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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I don't know that I'll ever get to make my ideal film, because Frank Capra is dead.
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Sometimes you surf well and still don't win. It happens to everyone. You learn that one big score doesn't mean much if you don't have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.
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In novels, and American novels in particular, it's not just about redemption, it's about forward movement and healing oneself. Americans are very big on getting better.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
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I think most people have creative ideas and have very strange, unorthodox impulses of things that they can do with their lives. I've had many of these over the years, but I decided the more important question was, 'When did I start calling this art?'
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I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.
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Dismissals of poetry are nothing new. It's easy to dismiss poetry if one has not read much of it.
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I have a great deal of respect and affinity for Tammy Duckworth; she's a seatmate of mine. She's got heart, soul; she's a war hero.
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For me, 'Bookends' marks the start of my foray into commercial fiction, away from what has always been thought of as more traditional chick lit - single girl in the city trips around in Manolos looking for Mr. Right.
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Every animated film that I've worked on - whether it was as a story artist or as Head of Story or even as director - where we originally started out with our story and where we eventually ended up were often very different places.
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The notion that anything can be invented wholly and that these invented things are classified as 'fiction' and that other writing, presumably not made up, is called 'nonfiction' strikes me as a very arbitrary separation of things.
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Everything I do feels like It's going to end up being in Radiohead.
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Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
