Caroline Leavitt Quotes
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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Let us go forward in this battle fortified by conviction that those who labour in the service of a great and good cause will never fail.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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As with lemon juice, the more sorrel you use, the more it has to be balanced with something sweet, starchy or creamy - it's a yin-yang approach to cooking that I find rather calming.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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I can do whatever I want.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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My favorite actresses were Geraldine Paige, Anne Bancroft and Kim Stanley.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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The burden for achieving disarmament cannot be borne by peace groups alone. Everybody, regardless of age, income, profession, gender or nationality, has a stake in this quest.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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To give pain is the tyranny; to make happy, the true empire of beauty.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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I had a lovely, feral, free childhood - out and then come back when you're hungry or it gets too dark. I feel slightly cruel that I'm not offering my children the same.
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So much of writing isn't the fun parts like we get to discuss. It is sitting there putting the words down.
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The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
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The big ideas always come in flashes. I don't really craft stories that much. I genuinely don't know where these people come from, and I've often wondered if writing is just a socially acceptable form of madness.
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Eulogy is nice, but one does not learn anything from it.
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I trained to be a priest - started to. I went to seminary school when I was 11. I wanted to be a priest, but when they told me I could never have sex, not even on my birthday, I changed my mind.
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Writing is really hard, and it's really a skill.
