Omari Hardwick Quotes
Quotes to Explore
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Sometimes, I'm driving along in my car, and a song from my high-school years comes on the radio: Springsteen's 'Thunder Road.' Just the opening few chords make me want to roll down the window and let the wind blow back my hair.
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Also, an area that interests me – and it will probably take years to state what I mean – is the period of the rise of democracy, with Tom Paine, which is around the turn of the 18th century into the 19th.
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The Pistols were like my work of art. They were my canvas.
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They want to let the audience figure things out and let the reaction shot get the laugh.
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The three-thousand hitting thing was the first time I let individual pressure get to me. I was uptight about it. When I saw the hit going through, I had a sigh of relief more than anything.
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We believe that when you make Black America better - you make all of America better.
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No history can be a faithful mirror. If it were, it would be as long and as dull as life itself. It must be a selection, and, being a selection, must inevitably be biased.
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I lived in a neighborhood where there weren't many kids. I had a couple sisters, but I was very much a loner. Whatever film I had seen that day or that week, I would completely find myself in that world.
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Some day, I'd like to be known as the queen of containerboards.
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After conducting Wagner, Beethoven's triple concerto is like taking an Alka Seltzer.
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I'm not a violent person, but I've got a hard core streak and have a reputation about living dangerously.
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I'm not one of those professors whose office is encased floor-to-ceiling with books. By the way, I think academics do this to intimidate their visitors.
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I prefer to sing in the shower because the acoustics make you sound great, baby.
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Despite the strength of the feminist movement in the 1970s and beyond, a fable has persisted that educated women are rejected as marriage partners.
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I want to develop Katihar as an ideal district. That is my dream for my constituency.
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I shall participate, I shall contribute, and in so doing, I will be the gainer.
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Good fiction reveals feeling, refines events, locates importance and, though its methods are as mysterious as they are varied, intensifies the experience of living our own lives.
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The opponents and I are really one. My strength and skills only half of the equation. The other half is theirs. An opponent is someone whose strength joined to yours creates a certain result.
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I'm still learning my craft.
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I really wasn't equipped to be a writer when I left Oxford. But then I set out to learn. I've always had the highest regard for the craft. I've always felt it was work.
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It is not enough to know your craft - you have to have feeling. Science is all very well, but for us imagination is worth far more.
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My method seems to change to everything, especially when you get older. You have more of a resonance to be able to grab to. When you're younger, you have these big boundaries because you don't know how to get you to where you are. When you get older, you have a few tricks that you can pull off.
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You learn from everything.
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Craft is everything.
