Neil Diamond Quotes
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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In politics people give you what they think you deserve and deny you what they think you want.
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I think there's no greater healing power than music.
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I always say three things make a writer: inspiration, obviously; perspiration, doing the work. But the third is desperation. I'm not really fit for anything else, or to have a real job. That fear drives me. The pressure has always been self inflicted.
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I tend to have a pattern of playing misunderstood characters.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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I think pregnancy, like life, is what you make it. I received a good hand. I'm thankful and blessed and so peaceful and can't wait to welcome my son.
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There's layers to our stuff: Our top layer is like candy-coated pop, because we want to party and have a nice time, but we also have a lot of different human experiences and other levels present in the Die Antwoord experience.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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A stronger yuan could lead to greater Chinese asset accumulation in the U.S. and elsewhere.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.
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Whatever I'm reading at the moment seems to influence whatever I'm writing.
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If I get to a place early in the morning, I try to walk around by myself. I still try to find cool places to go to, like a record store in St. Louis or some restaurant in Chicago.
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I can be very ordinary looking.
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Getting comments like that from even the young people at the shows who probably aren't singers, the girls who just tell me that I'm an inspiration to them, for one reason or another.
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When I am not writing, I'm dying.
