Neil Diamond Quotes
When I first started, I worked with three chords in every bar, but I found that tied me down - I'm not a chord-change writer, I'm a songwriter.
Quotes to Explore
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The idea flow from the human spirit is absolutely unlimited. All you have to do is tap into that well. I don't like to use the word efficiency. It's creativity. It's a belief that every person counts.
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Did anyone ever have a boring dream?
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Indie movies got co-opted by the studio system. The studios insisted that only stars could make movies successful.
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I started working out, eating a good diet, and just did everything I could that I thought would benefit me. I also started studying a lot harder in school. It matured me a remarkable amount and made me completely focused.
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Never do anything when you are in a temper, for you will do everything wrong.
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The Temptations still stand today, not in spite of those who left us, but because of them.
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Historically, in India, the strange fact was that the equity owner was not taking as much hit as the lender. Therefore, if we restore the first principle of economics, that first the equity owner needs to take the hit and then the lender, we will get a good solution.
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Just getting to wake up and play somebody else for an entire day is just an amazing thing.
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I use a Bruce Lee technique: 'The way of no way.' He had the idea that he would learn everything, so that whoever he had to fight, he could improvise anything. The best way of starting a gig is just to not think of anything - to clear your mind, not in an empty Zen state, but more just to go on and see where you go.
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I bought these pink sticker things... and I would write things on them, and I wrote, 'I will write an international smash,' and shortly after, it was when we did 'Monster,' and it was an international smash.
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I think that's exactly what Silicon Valley was all about in those days. Let's do a startup in our parents' garage and try to create a business.
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It's difficult when you want it all.
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Hip Nip just sounds groovy. A drummer laid it on me.
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Socially I never was an outsider. I have never thought of the conflict element before frankly, but perhaps it was wanting to belong, and at the same time wanting to retain one's own personality.
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I feel passionately that the opportunities I have had should be available to everyone.
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I think I am more determined than ever in my future plans, and I have quite made up my mind that nothing must be suffered to interfere with them. I intend to make such arrangements in town as will secure me a couple of hours daily (with very few exceptions) for my studies.
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I would love to play Henry IV, Henry V, and Hamlet.
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Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.
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I became a member of the faculty at Northwestern University in 1965 but did not complete my thesis until two years later at a graduate ceremony at which Carnegie Institute of Technology became Carnegie-Mellon University. At Northwestern, I was mentored by the 'three Bobs:' Robert Eisner, Robert Strotz and Robert Clower.
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When I first started, I worked with three chords in every bar, but I found that tied me down - I'm not a chord-change writer, I'm a songwriter.
