John Lennon Quotes
Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them...
Quotes to Explore
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When you are dining with a demon, you got to have a long spoon.
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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Nothing can stop a great song, so just keep songwriting.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I think my favorite thing is songwriting.
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We may not have demon fathers dangling offers of infernal power before us, but everyone understands what it means to struggle with temptation or resist the urge to give in to our baser natures.
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If you have this enormous talent, it's got you by the balls, it's a demon. You can't be a family man and a husband and a caring person and be that animal. Dickens wasn't that nice a guy.
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The real demon in my life is my father.
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Harry Dresden: Paranoid? Probably. But just because you're paranoid doesn't mean that there isn't an invisible demon about to eat your face.
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Harry Dresden: It's a place with a history, the neighbors are quiet, and my rent is cheap-though less so than it was before the demon thrashed my place.
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I'm a songwriter first...In my career I have never felt that my being a woman was an obstacle or an advantage. I guess I've been oblivious...Sensitive, humbug. Everybody thinks I'm sensitive...There is a downside to having one of the biggest-selling albums ever.
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After two years in the songwriting world, I wrote 'All About That Bass.' L.A. Reid heard it and signed me as an artist.
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The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
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I do more writing by myself than with anybody else. My best thing is sitting...around somewhere with a guitar, and having an idea. You never know where it'd come from. Songwriting is a God-given talent.
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I think he genuinely meant it. I think he really wants to do the right things to escape this demon that's got him.
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I remember the 'Checkered Demon'. He's this little devil with this three-foot dong that just porks everybody. And that wa s my idea of what sex was about. And I was, "Oh, wow! I can't wait.
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Great songs aren't written, they're rewritten
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I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.
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It's a weird feeling when people are defining you, and you haven't even defined yourself.
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To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
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Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them...
