John Lennon Quotes
After The Beatles came on the scene everyone started putting on a Liverpudlian accent.
John Lennon
The Beatles
Quotes to Explore
-
Then I did one fight scene, and they said it looked good. Because I did it well enough, they've given me more.
Victor Garber
-
Tolkien is as good as Dickens at sketching a scene.
Ian Mckellen
-
No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
Val Guest
-
Most of the time I'm thinking, I'm glad that scene was improvised.
Larry David
-
My parents are really honest when they watch something. My nan is brutally honest. She'll tell me, 'Oh, you looked awful in that scene,' and I'm like, 'Well, I was giving birth at the time, so it probably worked with the character, Nan.'
Katherine Kelly
-
Get on up, stay on the scene, get on up, like a sex machine.
James Brown
-
But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
Kevin Kline
-
I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
Kevin Spacey
-
I'm trying to find the truth in myself. To play somebody else doesn't interest me. It's not the focus of my life. I can get through most scenes and do the acting part of it, and at best, I'm going to be mediocre.
Neil Diamond
-
What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
Leonardo DiCaprio
-
With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. - a portrait I made in '87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player. I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service - being very generous, because it was very expensive jewelery. I would say, Tip.
Agnes Varda
-
There are scenes that were right on the edge, but I always try to err on non-indulgence. It's something that I'm very careful about, that I'm just leaning too hard into something.
M. Night Shyamalan
-
The enjoyment of the choicest natural scenes in the country and the means of recreation connected with them is thus a monopoly, in a very peculiar manner, of a very few very rich people. The great mass of society, including those to whom it would be of the greatest benefit, is excluded from it. In the nature of the case private parks can never be used by the mass of the people in any country nor by any considerable number even of the rich, except by the favor of a few, and in dependence on them.
Frederick Law Olmsted
-
If in the sex scene you happen to be naked in front of a lot of other people you've just got to put that aside, in the same way that you have to put that aside in a fully-clothed intense dialogue scene because you're entering into that particular imaginative state of play.
Geoffrey Rush
-
With sex scenes and intense scenes, in general, a lot of it is preparation before the scenes happen, so that you don't have to worry about it on set.
Vinessa Shaw
-
Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.
Viola Davis
-
A statue in a garden is to be considered as one part of a scene or landscape.
William Shenstone
-
Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
William Shatner
