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I've withdrawn many times. Part of me is a monk, and part a performing flea! The fear in the music business is that you don't exist if you're not at Xenon with Andy Warhol.
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I don't believe in Elvis I don't believe in Zimmerman I don't believe in Beatles I just believe in me.
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I've always considered my work one piece and I consider that my work won't be finished until I am dead and buried and I hope that's a long, long time.
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And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
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The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
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For our last number, I'd like to ask your help. Would the people in the cheaper seats clap your hands. And the rest of you, if you'll just rattle your jewelry.
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Music touching my soul, the spirit dance was unfolding.
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I never listen to the radio. If it's bad, I make fun of it, and if it's good, I get jealous that I didn't think of it.
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When we say 'War is over if you want it,' we mean that if everyone demanded peace instead of another TV set, we'd have peace.
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A Conspiracy of silence speaks louder than words.
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Living is Easy with Eyes Closed.
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She forced me to become avant-garde and take my clothes off, when all I wanted was to be Tom Jones.
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Lots of people who complained about us receiving the MBE received theirs for heroism in the war—for killing people. We received ours for entertaining other people. I'd say we deserve ours more.
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Very rich.
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"I've always thought there was this underlying thing in Paul's "Get Back." When we were in the studio recording it, every time he sang the line "Get back to where you once belonged," he'd look at Yoko."
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If we took over Britain, then we'd have the job of cleaning up the bourgeoisie and keeping people in a revolutionary state of mind.
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I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
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Music is everybody's possession. It's only publishers who think that people own it.
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You'd have to give people free rein to attack the local councils or to destroy the school authorities, like the students who break up the repression in the universities. It's already happening, though people have got to get together more.
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LSD went on for years. I must have had a thousand trips. I used to just eat it all the time.
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Everything is as important as everything else.
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It depends who they are. If it's Mick Jagger or the Old Guard as I call them, yeah, they're the Old Guard. Elton John, David Bowie are the newies. I don't feel like an old uncle, dear, 'cause I'm not that much older than half of 'em, hehe.
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We were all on this ship in the sixties, our generation, a ship going to discover the New World. And the Beatles were in the crow's nest of that ship.
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From our earliest days in Liverpool, George and I on the one hand and Paul on the other had different musical tastes. Paul preferred 'pop type' music and we preferred what is now called 'underground'. This may have led to arguments, particularly between Paul and George, but the contrast in tastes, I'm sure, did more good than harm, musically speaking, and contributed to our success.