SZA (Solána Imani Rowe) Quotes
I don't think I'm inherently feminist. I think the universe wants me to be feminist, and I think I resonate with that. I think it just chose me to be this female energy... thing. And I'm very drawn to female energy, but I don't really have any prerequisites in feminism. I just roll with it.
Quotes to Explore
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Now, do I think the baby boomers tend to be self-absorbed? I do.
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In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going.
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
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I have lived by one crucial principle since I was 24 years old. I don't blame or complain about things like the economy, the government, taxes, employees, gas prices, or any of the external things that I don't have control over. The only thing I have control over is my response to these things.
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I always think of my films within the context of where aesthetics meet economics. That's the nature of making art - not being naive about what is possible and getting what you need to tell the story you want to tell.
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For the traditional fantasies, a lot more of my research comes from reading rather than doing. I like my worlds to feel real, so I do a lot of world building research.
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I haven't actually studied acting at all.
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I think I'm a lot funnier and goofier than people were able to see on 'Dancing With the Stars.'
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At some particular time, when I was 14 years old, I've done something that people didn't expect.
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Tony Orlando is one of the nicest guys I have ever met - bar none - in my entire life. I was always a fan when I was a kid - you know, huge fan. Who wasn't a fan of Tony Orlando?
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You can be socially accepted and tell the truth about what it is to be a woman.
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It is not from your own goods that you give to the beggar; it is a portion of his own that you are restoring to him. The Earth belongs to all. So you are paying back a debt and think you are making a gift to which you are not bound.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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There's a lot of risk in putting what you suspect you really are into your music.
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Our heritage and ideals, our code and standards - the things we live by and teach our children - are preserved or diminished by how freely we exchange ideas and feelings.
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I hope that the families will understand that the contribution of women is important and can be more powerful for building a greater country.
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The air of ideas is the only air worth breathing.
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London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble; we had severe energy problems; we were under constant terrorist attack from Irish terrorist groups who started a bombing campaign in English cities; politics were fantastically polarized between left and right.
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A wish has been defined as a 'goal with no energy behind it.' Hope is not a strategy.
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The way the play was written originally is that in the end Henry Higgins and Eliza separate because they aren't compatible because of Eliza's feminist views. They wanted a happier ending for the musical.
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The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music. So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time. You had disco going on behind punk. You had Michael Jackson. You had the Sex Pistols.
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My favorite video to film was 'Work It' because it began the incredible road ahead. Missy was protective and thoughtful of us kids, removing us from the mature scenes and using the clean version when we filmed.
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I don't think I'm inherently feminist. I think the universe wants me to be feminist, and I think I resonate with that. I think it just chose me to be this female energy... thing. And I'm very drawn to female energy, but I don't really have any prerequisites in feminism. I just roll with it.
