Coventry Patmore Quotes
Quotes to Explore
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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Even where friendship is concerned, it takes me a long time to trust people.
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Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
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My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
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We live too long for one marriage.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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I'm so damn boring. I like reading and writing and making coffee. And walking. Barry Jenkins likes long walks.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
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As often as you fail, get up and try again. God will never let you down, so long as you don't let Him down, and so long as you make the effort.
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If you just try long enough and hard enough, you can always manage to boot yourself in the posterior.
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Playing for England was one long roller-coaster: some ups and downs, but also quite a few moments when you're not really sure if you're enjoying the ride.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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The U.S. tries to provide immigrants who grow up here with a world-class education and imbue them with the can-do attitude that has long defined American innovation.
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He who would be no slave must consent to have no slave. Those who deny freedom to others deserve it not for themselves and, under a just God, cannot long retain it.
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It is difficult to violently suppress people in the long run, as the example of the Soviet Union and the Eastern European countries has shown.
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We have listened too long to the courtly Muses of Europe.
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I have a long view of history - my orientation is archaeological because I'm always thinking in terms of ancient Greece and Rome, ancient Persia and Egypt.
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The government of Iran has no problem with the American nation.
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I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.
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The happiest people spend much time in a state of flow - the state in which people are so involved in an activity that nothing else seems to matter; the experience itself is so enjoyable that people will do it even at great cost, for the sheer sake of doing it.
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When you're young, influences count.
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None thrives for long upon the happiest dream.
