Courteney Cox Quotes
I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
Quotes to Explore
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It's hard to find an emblem of cultural, national pride that burns as bright as Israel's success in classical music.
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Mike Pence not only knows the Capitol. He knows the players in the House and the Senate. He knows how the committee system works. But he also knows all the governors. And so that really brings a unique talent to the picture.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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I try to do the right thing at the right time. They may just be little things, but usually they make the difference between winning and losing.
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I'm probably a natural uncle. I can take the kids out and have fun with them and look after them, and I can be Mr. Popular. But actually having to do the grind? That stuff just doesn't appeal at all.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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There's an excitement to officiating a well-played game. A lot of discretion, a lot of judgment comes into play.
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When the line started to blur between the fans and the players, sometimes things can get ugly.
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Basketball paid for four years of my education, and I am so proud of that.
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If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
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I have heard nothing from my friends at The Family Guy. Yeah, I heard that they got picked up again and all that good stuff, but I haven't heard anything yet. But, you know, I'm very elusive and hard to contact.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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I feel a physical happiness when spring is coming.
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If you're not bruised up, then you're not doing an action film in a real way.
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I hate to say it, but there seems to have been some sort of dumbing down as far as movies go.
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My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'
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I've become more and more aware of the promise and struggle to teach the global mind nowadays because I use every chance I get to ask faculty and administrators of management education programs why we don't offer at least one course - not even required, just an elective - on the world's religions.
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I can do a backflip on the spot. I learned how from watching 'Ninja Turtles' movies as a kid. Whenever the Turtles got in trouble with their teacher, Master Splinter, he'd make them practice backflips as punishment - and I was so focused on becoming one of the Turtles that I taught myself how to do one, too.
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When the shooting ends, I’m left alone – as in the desert.
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One Christmas my father kept our tree up till March. He hated to see it go. I loved that.
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I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
