Cory Monteith Quotes
Quotes to Explore
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If it weren't for the Internet, WWE probably wouldn't even know my name. If I had to rely on 'Pro Wrestling Illustrated' to get my name out there, it would have been a much more difficult road.
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I grew up in a very large, poor family.
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I'm not comparing myself at all to him, but I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know.
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I've done nothing but show up and fight, go to work inside the Octagon, outside the Octagon, and do things right. But people want to talk about me and discredit me.
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I profoundly feel that the art of living is the art of giving. You're fulfilled in the moment of giving, of doing something beyond yourself.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I've been busy and need to slow my little tail down and sit and meditate somewhere. I do my walking meditations every day, but just to sit still. Just to be in one place and just to be quiet.
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Bitcoin is here to stay. There would be a hacker uproar to anyone who attempted to take credit for the patent of cryptocurrency. And I wouldn't want to be on the receiving end of hacker fury.
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There are two sides to every question: my side and the wrong side.
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I've always wanted to play Maria in West Side Story. My idol is Natalie Wood, and I love the movie, so I think a modern-day twist on it would be really neat.
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A lot of people like to run in plays because it's a nice, steady job.
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Any deal that allows Iran to enrich uranium, which allows them to ultimately break out within a few months with a nuclear weapon, is a disaster for the world.
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We must remember that as the centuries go by, time will pass.
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I love architecture almost as much as I love my musicals.
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I do think that the audience thinks it's funny when you break, but if you do it all the time, it loses something.
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How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child.
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When you go from one place to another, you go with experience, you don't go with prescriptions.
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I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
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I never had a moment of realization about my blackness - I just was. Blackness was a central thread of my experience as a child and as an adolescent, as it is now that I'm an adult.
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We're in this entertainment business really to give the audience what they want.
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In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.
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Bottom line: I can relax in L.A. I think I'm the only person in that town who doesn't want to act. I was an OK singer. I was an OK dancer. But acting? Never could do it.
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This love is silent.
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I've been very inspired by Virgin's model of business as a force for good.
