Cormac McCarthy Quotes
Quotes to Explore
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In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves.
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Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.
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I would be very happy doing movies. I love to work and I think I'm a little different.
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Those who live in a world of human beings can only retrace their steps.
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I started making music for fun, but I had two parents who were very much in the business. I didn't run around trying to get the spotlight. I was very shy. I never sang in front of people 'til I was about 17 years old.
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I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.
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Some of God's greatest gifts are unanswered prayers.
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My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose.
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Man is a beautiful machine that works very badly.
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The power of intuitive understanding will protect you from harm until the end of your days.
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The Latin musical tradition is very rich and gives the singer a lot of freedom to explore a range of.
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Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.
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It was never important for a wedding to be about anything other than me and my partner. A big celebration was never my cup of tea.
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Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
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Formula One has been the backdrop of my life.
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It's a little strange when part of your family is in the public eye, and you're being put into a box that you're not necessarily in. That's when it starts to feel a bit odd: When you're being told who you are, but it's incorrect.
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Truth is one forever absolute, but opinion is truth filtered through the moods, the blood, the disposition of the spectator.
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I don't mind being called snobbish, a pain and a social climber, but being called unkind really hurts.
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Problems are not stop signs, they are guidelines.
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I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
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I think I need security.
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Worry is the last infirmity of the weak-minded.
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I can't wait to design the performance. I want to make a moment that is about much more than me. Performing in space is such an honor. I want to challenge myself to come up with something that will not only bring everyone together but will also have a message of love that blasts into the beyond.
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Men are made of the dust of the earth.
