Corin Nemec Quotes
It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.
Quotes to Explore
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If a man reaches the heart of his own religion, he has reached the heart of the others, too. There is only one God, and there are many paths to him.
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So, two cheers for Democracy: one because it admits variety and two because it permits criticism.
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Music is one of the most powerful things the world has to offer. No matter what race or religion or nationality or sexual orientation or gender that you are, it has the power to unite us.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I'm a monomaniac with one goal: clean air from clean energy.
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We are born believing. A man bears beliefs as a tree bears apples.
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If you're not riddled with doubt, you've probably done something wrong.
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Antimatter is not a source of energy for us, it's a method of storing energy, compact but inefficient.
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You have to know what club you are playing for, or you just play for yourself. Every time I put on a Liverpool shirt, I know it is more than just a football game.
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I use coconut oil every single day. I apply coconut oil on my whole body for moisturising. The oil can also be used as make-up remover, as it is light-based and is not sticky.
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It's very trying on a marriage when you're doing a one hour show, week after week after week. You don't have enough time for people that maybe you should have top priority.
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A cap on carbon is important because it sets a specific goal for reducing carbon emissions 80% by 2050.
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If you go to Africa and you're white, you're probably not going to get that much work either. But the fact is that there is a longer history of black integration in the U.S. I don't have any resentment about this: I did the maths, calculated it against my ambition and decided to leave England.
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Let's face it; by and large math is not easy, but that's what makes it so rewarding when you conquer a problem, and reach new heights of understanding.
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I'm often drawn to characters that are more obviously one thing. They're passionate, and there is always an element of strength because I think every person possesses that in some way, even if they've experienced hardship in their lives.
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Most of us were probably less than immaculately honest as teenagers; it's practically encoded into adolescence that you savor your secrets, dress in disguise, carve out some space for experiments and accidents and all the combustible lab work of becoming who you are.
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I think what probably happens when you put two awkward/clunky people together is that their awkward/clunky world seems like a normal world.
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People - and dogs - are dying to be trained.
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Whenever I heard it, whoever said it to me, it felt the same. Like it didn't really mean anything. Because they weren't saying it about the real me. But what if they were? What if everyone who ever said they loved you meant it? How could they? How could any of them have ever meant it when no one but you has ever really known the real me?
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Minneapolis has always been a very special place for me.
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I wrote the first version of this book in 1996, in the closing years of the twentieth century. Now, almost two decades into the twenty-first, it seems we are still struggling with what W. E. B. Du Bois identified in 1906 as the “problem of the color line,” even though the demographic composition of that color line has changed quite a bit since then.
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From 1865 to 1965, my race, the black race, was one of the most competitive, entrepreneurial, Christian, moral races in our country. We had the highest percentage of entrepreneurs in the country, the highest percentage of marriage in the country.
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Mumbling priests swinging stick cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it.
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It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.
