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You are always a student, never a master. You have to keep moving forward.
Conrad Hall -
My peers say I have made a difference. That means more to me than winning an Oscar.
Conrad Hall
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In Hollywood, maybe only ten percent will make it and the other ninety percent try. This elusive dream of making it and being on top is the same story as the moth being drawn to the flame. The flame and it's attractiveness is something you'll never eliminate. Some will learn how to live in that environment and others will burn in it.
Conrad Hall -
To me, the camera is like a musical instrument. You use it to control the flow, shape, size and colors of images.
Conrad Hall -
But at heart, I am more than a cinematographer.
Conrad Hall -
Every once in a while, when the audience is expecting to see one thing, you have to show them something else.
Conrad Hall -
Cinematography is infinite in its possibilities... much more so than music or language.
Conrad Hall -
I realize that every picture isn't a work of art.
Conrad Hall
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I saw Tequila Sunrise as a romantic picture with complex, bigger than life characters.
Conrad Hall -
It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
Conrad Hall -
Contrast is what makes photography interesting.
Conrad Hall -
Billions of people have seen and been influenced by movies in the short history of this industry.
Conrad Hall -
It is also difficult to articulate the subtleties in cinema, because there aren't words or metaphors which describe many of the emotions you are attempting to evoke.
Conrad Hall -
It's important to know that if you are dealing with shadows.
Conrad Hall
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There is a kind of beauty in imperfection.
Conrad Hall -
I want to tell a story and shape it all the way through to the end.
Conrad Hall -
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
Conrad Hall -
The closer the source of light is to a subject, the broader the beams are.
Conrad Hall -
I hope I'm still shooting when I'm 80.
Conrad Hall -
Manipulating shadows and tonality is like writing music or a poem.
Conrad Hall
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My first semester, I got a D in creative writing.
Conrad Hall -
But you know you haven't done it all because you know everything keeps evolving and changing; and you know you can evolve with it if you grow and develop as a human being.
Conrad Hall -
In aptitude tests, I scored highest in music.
Conrad Hall -
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
Conrad Hall