Conor Oberst Quotes
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
Quotes to Explore
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To me, the funnest part of wrestling is evolving. If you stay the same all the time, you're eventually going to be left behind.
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If you have two parents who have to work, who want to work, you need to have someone to guide your child.
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You could say that all novels are spy novels and all novelists are spy masters.
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Nobody likes a child to die or losing an election.
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If I can put it together, I've got an opportunity to win.
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You see people in Hollywood trying to make blockbuster after blockbuster, but it's not possible. There's some god up there saying, 'You will fail now.' But I suppose that's true of us all.
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I am not from a film family or a Mumbai girl. The probability of getting a second chance is low, and so one has to be more careful.
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My retiring days are behind me – they're going to have to throw me out now.
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The first time I walked on a stage I knew that was what I was created to do. I knew that there was a calling and a sense of purpose in my life that gave me fulfillment and a sense of destiny.
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The wide world is all about you: you can fence yourselves in, but you cannot forever fence it out.
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Being a pathfinder is to be willing to risk failure and still go on.
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I'm extremely grateful that I found writing, but it doesn't make it any more peaceful.
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You can't get a job without experience and you can't get experience until you have a job. Once you solve that problem you are home free.
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Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
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I always try to live in the moment.
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Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
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We read the world wrong and say that it deceives us.
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Manus haec inimica tyrannisEnse petit placidam sub libertate quietem.
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People ask me where I live most of the time, and it's kind of complicated for me to answer, because I'm not really sure. It's somewhere in between London, Rome, Paris, and Rio.
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Based on my own experience, when you're going through adolescence you don't know how the world works. You can't set a story in the world you live in because you don't know what a utility bill is, or how to budget your paycheck.
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The photographic frame is no longer used as a documentary window into undisturbed private lives, but as a stage on which the subjects consciously direct themselves to bring forward hidden information that is not normally displayed on the surface.
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All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
