Conor Maynard Quotes
When I was 13, I remember crying on my mum's shoulder when my first girlfriend dumped me via MSN Messenger. That was cold.
Quotes to Explore
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I am enjoying my face changing, as well as realizing that at the same time, as you get older, the machine isn't as well-oiled as it was.
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The years go so fast. I mean, I just realized that at the end of the year I will be twenty-two, and I just turned twenty-one.
Nastassja Kinski -
I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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Only a completely unintelligible God can be said to be absolutely good and absolutely powerful yet tolerate the world as it is.
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So when I'm working out I do things extreme.
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I feel like the gods have certainly patted me on the head.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I understood early on that the freedom of America is what made our way of life possible and that we should help other people live in freedom, too.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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The emotive power of hummus all over the Middle East cannot be overstated, being the focus of some serious tribal rivalries.
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People don't realize that molecules themselves are somewhat hypothetical, and that their interactions are more so, and that the biological reactions are even more so.
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I find that I can't work and listen to radio – either I find I don't like it and it distracts me, or I do like it and I want to listen to it.
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Buildings are forms of performances.
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If I get a bad review, I don't take it personally because everyone is entitled to their opinion.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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I'm pretty good at sticking to what I know. You don't see me social commentating on health-care or presidential debates. I talk about what I know because I'm petrified of being wrong.
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It's when children are 15, 16 or 17 that they decide whether they want to be a doctor, an engineer, a politician or go to the Mars or moon. That is the time they start having a dream, and that's the time you can work on them. You can help them shape their dreams.
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When faced with the inevitable fatigue that comes with the recycling of speeches and the recycling of thoughts in a rather small stream of vortex, I am urged to not be ashamed of recycling.
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A lot of the commercial world wants to bank in on the cachet that jazz brings.
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To do eight shows a week saying exactly the same lines, you have to be obsessively perfecting it or utterly mindless.
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I believe in using words, not fists.
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I remember my first test in F1. After five laps, I came back to the pits and tried to play it cool - 'Oh yeah, I'm fine, I'm on top of this' - but I was completely lost.
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When I was 13, I remember crying on my mum's shoulder when my first girlfriend dumped me via MSN Messenger. That was cold.
