Forest Whitaker Quotes
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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If I really believe that visual representation and narrative are ways to convey important, complex ideas, and if the world is gravitating toward this form, then geez, I better do it myself. I want to do it myself.
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I hate committing myself to anything. It's probably the lack of discipline, honestly. I'm probably a spoiled brat worried about getting my way every time.
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The highest education is that which does not merely give us information but makes our life in harmony with all existence.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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Every story I create, creates me. I write to create myself.
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I have really high expectations for myself, so I just want to go out there and compete.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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There's no mystery any more. So my instinct is to show very little, because there's much too much information about everyone, everywhere right now. Reality TV is an example of that.
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In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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My whole 'WWE' career has been rebuilding myself and finding the confidence that I once had. It's been one hell of a journey. There have been times I felt like the prodigal son because I left wrestling and abandoned this thing that I loved.
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We knew this was happening 15 years ago. But it's only been in the past few months that the information has been spread by the media.
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There's a tendency among some male writers to make the women in their stories weak and needing of rescue so that their hero looks like a manly man.
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Although all of us may not agree with that particular lifestyle for religious reasons, whatever the reason is, you still treat each other with respect.
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Alex Poots has always made a bridge between highly experimental and the mainstream.
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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
