Steve Winwood Quotes
Quotes to Explore
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I'll sleep when I'm dead.
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A hen is only an egg's way of making another egg.
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I like men who paint or write or do something creative.
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Love shouldn't be about jealousy or anything like that. It should be about commitment and being able to trust that person. If you can't have that from the get-go, there's a problem.
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Only those ignorant of what poetry means will ask the question: what is it good for?
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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I think I've got some more big plays left in me.
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A lot of actors know they want to be actors a little bit earlier on. I didn't even really start studying until I was about 22.
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After being once in space, I was keen to go back there. But it didn't happen.
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The only time I can't sleep is on a plane, when I am literally keeping it in the air with my brain.
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The best way to hold a man is in your arms.
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I think it was one of the better meetings that I've had with those guys, because I was honestly able to say everything I wanted to say, and I pretty much aired out the dirty laundry. So from that point on, I thought all of that was behind us.
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Why should Bollywood accept me? I should accept Bollywood. I don't care if Bollywood has accepted me. I don't seek acceptance. I don't need to live up to anybody's expectations.
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History is laden with belligerent leaders using humanitarian rhetoric to mask geopolitical aims. History also shows how often ill-informed moralism has led to foreign entanglements that do more harm than good.
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I like the idea of sending my Aquazurra girls out with a lucky charm under their feet.
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Denmark is, like, the flattest country on Earth.
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I think, in a lot of ways, we underestimate how much clothing plays a part in achieving our identities and in how we want the world to deal with us.
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I came to Harlem from West Virginia when I was three, after my mother died. My father, who was very poor, gave me up to two wonderful people, my foster parents.
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I grew up with just my mom. She and I were like best friends. She's a very independent woman and I admire that about her. In my life, I've tried to be like that. To be okay with being on my own and being independent.
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I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
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When my father went back into the military in 1947 and was gone for 3-1/2 years, my mother was 24 years old with four kids in a town she didn't know that well with no military services available, no family services available through the military, and that was the norm.
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When I draw a character, very often as I'm doing a face, my face mirrors the expression.
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Networking is rubbish; have friends instead.
