Paul McCartney Quotes
I never really got on that well with Yoko anyway. Strangely enough, I only started to get to know her after John's death.
Quotes to Explore
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The main reason I wanted to be successful was to get out of the ghetto. My parents helped direct my path.
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I was a huge ham in school in Atlanta.
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Even though I have Twitter, I only use it to say, 'Oh, this is coming out.' I would never voice anything about me, really.
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I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
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Everyone wants me to be perfect, but I am so far from perfect!
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There is a supply for every demand.
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If Adele's seen as boring, then I'm happy to be boring as well.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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Any athlete has massive reserves in their body and their emotional landscape.
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I'm a plodder, one foot in front of the other. Life is all about understanding that anything that can go wrong, will go wrong. And it's your ability with how you deal with that adversity that ultimately affects your success.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job.
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Good education, housing and jobs are imperatives for the Negroes, and I shall support them in their fight to win these objectives, but I shall tell the Negroes that while these are necessary, they cannot solve the main Negro problem.
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Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.
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Any radical change or trauma always makes for interesting subject matter, but then all stories deal, to some extent, with the disjuncture between past and present.
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My mother was a children's librarian. I remember when traditional stories were revised for modern audiences until they bore only a nodding acquaintance with the originals, but were released as 'authentic Indian stories' when they were, in fact, nothing of the kind.
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My father put it right when he said: 'I don't get ulcers. I give ulcers.'
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When a father of a daughter dies, you elevate them. And you sort of deify them.
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When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.
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I sing the Man who Judahs Scepter boreIn that right hand which held the Crook before;Who from best Poet, best of Kings did grow;The two chief gifts Heav'n could on Man bestow.
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For values or guiding principles to be truly effective they have to be verbs. It's not "integrity," it's "always do the right thing." It's not "innovation," it's "look at the problem from a different angle." Articulating our values as verbs gives us a clear idea - we have a clear idea of how to act in any situation.
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I never really got on that well with Yoko anyway. Strangely enough, I only started to get to know her after John's death.
