Kim Clijsters Quotes
Quotes to Explore
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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I'm excited that I get to do what I love, and I'm benefiting through projects that speak to me.
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It is often easier to become outraged by injustice half a world away than by oppression and discrimination half a block from home.
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First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money.
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I think operating systems work best if they're free and open. Particular applications are more likely to be proprietary.
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I think I'm very curious about other people. I like to sit and eavesdrop, you know.
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Catholic schools in Indonesia routinely accept non-Catholic students, but exempt them from studying religion. Obama's school documents, though, wrongly list him as being Indonesian.
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I mean, if a camera's on you all the time, you don't get real moments.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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So if I was dating somebody now and the relationship didn't work out, I'd take that as failing.
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Disapproval of homosexuality cannot justify invading the houses, hearts and minds of citizens who choose to live their lives differently.
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There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it.
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I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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Let me tell you that I love the United States.
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I'm not good at accepting help.
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I had this revelation, you are a lot better at the between-song stuff than you are at the song stuff. That was devastating. And I usually find devastating things to be pretty valuable.
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The horrific damage of 9/11 did not end when those buildings came down.
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I played the piano as a boy for six years, from the time I was six to 12 years old. My piano lessons ended when my father died because our family had no more money. I used to have a mestiza teacher. She'd come once a week to teach me piano lessons, and she'd bribe me each time with an apple; otherwise, I wouldn't play.
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I would have found something because I love to entertain people. I had the option to take the rest of the year off. But I said the songs on my last solo album, '24 Karat Gold,' mean so much to me. I need to get out there and sing them.
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Everybody should espouse three or four harmless crank theories for the pure pleasure of having something harmless to be cranky about. And when a theory of this sort proves correct, it is a true moment for celebration.
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My writing has been largely concerned with the depicting of Negro life in America.
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There have been many moments over the last year when I thought it was all over.
