Kim Clijsters Quotes
Quotes to Explore
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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I'm excited that I get to do what I love, and I'm benefiting through projects that speak to me.
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It is often easier to become outraged by injustice half a world away than by oppression and discrimination half a block from home.
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First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money.
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I think operating systems work best if they're free and open. Particular applications are more likely to be proprietary.
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I think I'm very curious about other people. I like to sit and eavesdrop, you know.
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Catholic schools in Indonesia routinely accept non-Catholic students, but exempt them from studying religion. Obama's school documents, though, wrongly list him as being Indonesian.
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I mean, if a camera's on you all the time, you don't get real moments.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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So if I was dating somebody now and the relationship didn't work out, I'd take that as failing.
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Disapproval of homosexuality cannot justify invading the houses, hearts and minds of citizens who choose to live their lives differently.
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There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it.
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I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
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Let me tell you that I love the United States.
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I'm not good at accepting help.
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I had this revelation, you are a lot better at the between-song stuff than you are at the song stuff. That was devastating. And I usually find devastating things to be pretty valuable.
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Je parvins à faire s'évanouir dans mon esprit toute l'espérance humaine.
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I wouldn't want to be Superman. Batman would be cool. But the one I've always wanted to play is the Joker. There is a maniacal and dangerous side to me.
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There's never going to be a new Beatles because we don't consume things in that way anymore.
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When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.
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I love working with younger people. I feel like we need to catch up with them. In South Asian art it's important to address the fact that the majority of what we see is Hindu, and based in Hinduism, and that it has a social and cultural history. Islam and Muslim culture are often now figured as these outside invaders who came into India, and this is in the service of a more right-wing nationalist discourse that is Islamophobic. And that's part of the worldwide Islamophobia moment that we're having right now.
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There have been many moments over the last year when I thought it was all over.
