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Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.
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In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.
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I would be too self-conscious if I just thought of writing lyrics for a song. I have to trick myself into doing it.
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I don't see myself as a rock star. I don't see myself in that way. I'm interested in work that offers some sort of critical dialogue.
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I try not to think too much about what the audience is thinking and what they think I should do.
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Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.
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I watch 'Buffy the Vampire Slayer' with my daughter. We're very into Buffy and Buffy's friends.
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I'm kind of a sloppy feminist. Any ideology makes me a little nervous because there's some point where it doesn't allow for the complexity of things.
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I see it as more of a teenage activity than, you know, she's only 11, but you know, I think it's great that she knows so many girls who want to play music. And I see it more as a teen activity than I do as going into music.
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I think that certainly, whenever you have a new band, the first record always has a certain energy to it before you know what you're doing. I think some of the early Sonic Youth stuff was maybe like that.
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You know, we have our own audience, and it's not like - they just know we're not going to do certain things.
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I mean, most of it is probably more obscure and just more noisy than either of those two bands, but Thurston has stuff all the time that he's involved with that is fairly obscure and experimental.
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Working on art, as opposed to being in a constant collaborative state, as in a band, is something that I've always done - to a smaller degree, but it always remained a part of my integral self.
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In rock music, people have certain assumptions that it makes people more enlightened, and it really doesn't.
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I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
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It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
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I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.
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I never felt like I had anything really figured out. When I was a teenager, it was all about teenagers having an 'identity crisis.' That was the phrase that was used. But in my early 20s, I was still like, 'When am I going to be over that?'
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No one talks about woman power. The Spice Girls - they're masquerading as little girls. It's repulsive.
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I've never been good with structure - doing assignments for the sake of them or doing things I'm supposed to do.
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I really want to start playing basketball. I actually bought a new basketball.
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I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
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I don't really feel comfortable anywhere except when I'm working alone at home. It's exhausting to be out around people.
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I was very aware of performers who have a persona, whether it's Siouxsie Sioux or Patti Smith or Lydia Lunch, and I'm just this middle-class girl coming from a more conventional upbringing, this California person. But in a way I felt like it's important to represent the normal.