Kim Gordon Quotes
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In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.
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I would be too self-conscious if I just thought of writing lyrics for a song. I have to trick myself into doing it.
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I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
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I don't see myself as a rock star. I don't see myself in that way. I'm interested in work that offers some sort of critical dialogue.
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I mean, most of it is probably more obscure and just more noisy than either of those two bands, but Thurston has stuff all the time that he's involved with that is fairly obscure and experimental.
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I like the adrenaline of playing improv - it makes me feel really calm.
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I see it as more of a teenage activity than, you know, she's only 11, but you know, I think it's great that she knows so many girls who want to play music. And I see it more as a teen activity than I do as going into music.
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I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
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I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
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After you've graduated, you're supposed to be an adult and go out into the world, and you're still not formed. It's an interesting... horrible, horrible time.
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I think that certainly, whenever you have a new band, the first record always has a certain energy to it before you know what you're doing. I think some of the early Sonic Youth stuff was maybe like that.
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I don't really feel comfortable anywhere except when I'm working alone at home. It's exhausting to be out around people.
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In rock music, people have certain assumptions that it makes people more enlightened, and it really doesn't.
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I try not to think too much about what the audience is thinking and what they think I should do.
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I was very aware of performers who have a persona, whether it's Siouxsie Sioux or Patti Smith or Lydia Lunch, and I'm just this middle-class girl coming from a more conventional upbringing, this California person. But in a way I felt like it's important to represent the normal.
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You know, we have our own audience, and it's not like - they just know we're not going to do certain things.
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Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.
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I'm kind of a sloppy feminist. Any ideology makes me a little nervous because there's some point where it doesn't allow for the complexity of things.
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I've never been good with structure - doing assignments for the sake of them or doing things I'm supposed to do.
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It's really hard for me to sing and play bass. Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.
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Working on art, as opposed to being in a constant collaborative state, as in a band, is something that I've always done - to a smaller degree, but it always remained a part of my integral self.
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I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.
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I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
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I really want to start playing basketball. I actually bought a new basketball.