Kim Novak Quotes
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I always felt Jimmy was trapped in Hollywood. He felt it himself. He loved aviation so much and he wanted to be able to do more of that. He somehow just got stuck here.
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My security comes from my senses, my sensing the direction I should go and suddenly I felt out of tune, out of step with what other people wanted or what other people expected of me.
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It means nothing if the movie doesn't get out there.
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I don't think you want to give all the answers, but I think every answer you do give should bring up another question, and not all questions should be answered.
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I think it will be helpful to people because I know the expectations that are put on you as a sex symbol, and how Marilyn Monroe suffered and so on, and I was able to get free of that.
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I was always opinionated.
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I used Jimmy to give me what I needed to keep going and to know that I was on the right path with it. I thought I saw Jimmy's soul all the time we worked. He never covered his soul and I never covered mine. We saw into each other's souls, very definitely.
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If you're wanting glamorous or really beautiful or really sexy, well then, I wasn't really the one, but I could do all of that. You could just get really lost in that kind of image.
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I don't feel that I was a Hollywood-created star.
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Well, I'm Czech, but Polish, Czech, no matter, it's my name.
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My first day at MGM they decided to bring this lion out, male, and it was not the best time for him to see me. All of a sudden he thought I was in heat and this lion went into the dressing room, which was just a trailer on the sound stage, and went crazy.
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We only did probably two, three takes on every scene we did, at the most.
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The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
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As I said, I began losing confidence in my instincts, which is tough and very bad for an instinctive person.
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Harry Cohn did not make me. But I also feel that I probably didn't make me, either. I think it was a combination. I think that's what made it work.
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The script was always the most important thing to me and I loved the script. For one thing, I've always admired trees. I just worship them. Think what trees have witnessed, what history, such as living through the Civil War, yet they still survive.
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The first time I was in his office was when they called me in to tell me they had changed my name. I had a feeling that if I'd gone along with the name they'd chosen, I'd never be seen again. I'd be swallowed up by that name, because it was a false name: Kit Marlowe.
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Just touching that old tree was truly moving to me because when you touch these trees, you have such a sense of the passage of time, of history. It's like you're touching the essence, the very substance of life.
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So, Hitchcock wouldn't say anything about my work in the movie but, on the other hand, he wouldn't complain, either.
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For every answer, I like to bring up a question. Maybe I'm related to Alfred Hitchcock or maybe I got to know him too well, but I think life should be that way.
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I tried so hard with movies like Vertigo and Middle of the Night and others. I felt those would show me that it's only a matter of time before I'd find the right one to reach out and touch people.
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I loved acting, which was never about money, the fame. It was about a search for meaning. It was painful.
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I didn't want to start relying on what someone else thought was right. It was easier to go away all together.
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I knew Rita Hayworth only enough to know that she was just a tender, sensitive, beautiful human being. A lovely person. Very gentle. She would never stand up for her rights.