Kim Weston Quotes
Quotes to Explore
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The economics profession advances by one confusing financial disaster at a time.
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Adele's like a beacon of honesty. Doesn't compromise, goes to America and she's still the same sweary cockney.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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Life is like an analogy.
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Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
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Rather than spend millions getting film stars, I am quite happy to be brand ambassador myself.
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I read mails throughout the day but answer mails more in the morning and evening.
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When I'm not shooting, I go to school every day. When I am shooting, I have tutors on set helping me.
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Apart from its famous healing properties, manuka has a strong, woody flavour.
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It wouldn't bother me at all not to play on my own album.
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My supporters are people who believe in being fiscally responsible and socially accepting. I think most people are in that category. Speaking with a broad brushstroke, those are my supporters.
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When one has not father, or mother, or brother, and all one's friends have barely bread enough for themselves, life cannot be very easy, nor its crusts very many at any time.
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I never take a nap after dinner but when I have had a bad night; and then the nap takes me.
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Whenever anybody that I trusted brought along some new chemical, I would open my mouth and off I'd go.
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...this bull is a bull and this horse is a horse... If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.
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In many instances the conduct of colored workmen, and those who have spoken for them, has not been in asking or demanding that equal rights be accorded to them as to white workmen, but somehow conveying the idea that they are to be petted and coddled and given special consideration and special privilege. Of course that can't be done.
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I have been fascinated with survival and having to go on no matter what. That always appealed to me.
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I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
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As much as they deny it, I think people want to be scared. It's a phenomenon, why people want to be scared when there is so much violence and craziness in the world. People still really enjoy being scared. It's a conundrum to me. It's hard to explain. It's an unconscious thing, really, why people like that so much.
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I wish I could go to the school where my close friends go, but I obviously can't. The good thing is, they're really good about inviting me to all the football games and all that stuff. So I end up having an adopted team spirit for a school I don't go to.
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I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering, and vice versa - how that material sometimes colors their own lives.
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Young children learn in a different manner from that of older children and adults, yet we can teach them many things if we adapt our materials and mode of instruction to their level of ability. But we miseducate young children when we assume that their learning abilities are comparable to those of older children and that they can be taught with materials and with the same instructional procedures appropriate to school-age children.
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The cynic is his own worst enemy. It requires far less skill to run a wrecking company than it does to be an architect.
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In front of the camera I look and I see visually what I've created.
