Kapil Sibal Quotes
The genesis of Public Interest Litigation in listening to the voice of the voiceless and giving access to the poor, the marginalised, and the weak is a unique experiment to be lauded.
Quotes to Explore
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People hear the examples of kids who work when they're young, have bad experiences, and then have a rough life after that, but a lot of it is just about the people around you.
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The mirror to the beautiful is beautiful.
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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Working with special needs children is hard.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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I never thought, when I was a kid, that there was a sense of competition or animosity towards poor blacks. I just thought there was a recognition that they lived differently - they primarily lived on the other side of town. And we're both poor, but that's kind of it. There wasn't much explicit statement of kinship or of the lack of kinship.
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I walk around - people know who I am. I've got friends. I can make ends meet. I grew up around people who have been hustling from the start, so I think I've got a bright little future ahead of me - especially if I don't fight. Why would I want to go out there and fight with somebody, get my face punched and kicked. It's not my idea of a good time.
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We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
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I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
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Bruckner's Eighth is a colossus.
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Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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I find celebrity really scary.
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I'm a passionate person, to a fault at times.
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I save money when I'm working so that I never have to take a role simply to pay the bills.
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Not the fruit of experience, but experience itself, is the end.
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I wasn't using college as a stepping stone to law school or some other career. I just wanted a liberal-arts education.
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There is the love and marriage and family kind of happiness, which is exceedingly boring to describe but nonetheless is important to have and dreadful not to have.
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We've just got to understand that (tonight) is a different day and we've got to perform better than we did (Wednesday) night.
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Growing up, I realized as an actor I had to figure out how to use my platform in order to give back as well and use that spotlight to shine, or at least to balance that light and to try to shine light onto the other issues that were happening in the world.
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I think institutions that are bureaucratic often try to squeeze from the top down, and they don't have good results on the ground level.
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The genesis of Public Interest Litigation in listening to the voice of the voiceless and giving access to the poor, the marginalised, and the weak is a unique experiment to be lauded.
