Kapil Sibal Quotes
The genesis of Public Interest Litigation in listening to the voice of the voiceless and giving access to the poor, the marginalised, and the weak is a unique experiment to be lauded.
Quotes to Explore
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People hear the examples of kids who work when they're young, have bad experiences, and then have a rough life after that, but a lot of it is just about the people around you.
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The mirror to the beautiful is beautiful.
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I struggle if I have chaos around me, but at the same time, if I don't have it, I'm uncomfortable. It's a strange thing: If I don't have chaos, I create it.
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Working with special needs children is hard.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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I never thought, when I was a kid, that there was a sense of competition or animosity towards poor blacks. I just thought there was a recognition that they lived differently - they primarily lived on the other side of town. And we're both poor, but that's kind of it. There wasn't much explicit statement of kinship or of the lack of kinship.
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I walk around - people know who I am. I've got friends. I can make ends meet. I grew up around people who have been hustling from the start, so I think I've got a bright little future ahead of me - especially if I don't fight. Why would I want to go out there and fight with somebody, get my face punched and kicked. It's not my idea of a good time.
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We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
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I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
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Bruckner's Eighth is a colossus.
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Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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I carry around, like, a little journal with me and just write all the time. Not necessarily, like, actually sitting down and writing lyrics - just freeform writing, whatever's going on in my mind. I write a lot on airplanes, actually, because it's completely isolating.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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I find celebrity really scary.
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I'm a passionate person, to a fault at times.
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I save money when I'm working so that I never have to take a role simply to pay the bills.
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Not the fruit of experience, but experience itself, is the end.
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I'll do very light, very easy yoga in my dressing room. I like to just lay down on the floor and put my legs on the wall and stretch and just be still.
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When I do videos, it's just myself.
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I'm prepared to try to talk to a very beautiful girl. I learned a fantastic secret, which is that the most beautiful woman in the room is not being spoken to because she's too intimidating. They're not looking for somebody beautiful; they're looking for somebody to amuse them.
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I think it's great anytime somebody can be in control of their own distribution.
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Women candidates have two unique problems. They have trouble raising money and being taken seriously by the media.
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The genesis of Public Interest Litigation in listening to the voice of the voiceless and giving access to the poor, the marginalised, and the weak is a unique experiment to be lauded.
