Gwen Stefani Quotes
I'm vain enough to want do a movie again, but right now more roles are the last thing on my list.
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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The economy has become seriously unbalanced. Its growth has not been driven by investment or by overcoming Britain's long-standing weaknesses in investment and productivity, particularly skills. Instead, there has been a binge of debt-financed consumer spending.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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If you learn the craft, you can make a movie and get by with tricks.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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In every movie I do have a dialogue.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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It was priceless. Being the UFC champion and having my kids in the Octagon, my wife, them holding the belt. That was like a movie.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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I started tapping and I was okay. Then after about two years my feet knew what they were doing!
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.
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A lot of people in the movie business don't have a point of reference for me; nobody really knows who I am.
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I do think 'The Notebook' is a darn good movie.
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You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.
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My goal was just to live a good life that I was happy with. And I wasn't exactly sure that that meant being the star of a movie.
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Everybody asks, 'What does 'Humans of New York' mean?' and I always say that I try to avoid putting any kind of message in the work even if it is a positive or optimistic message. The moment you do that, you're looking for certain people and words that fit into the world view you are trying to show, and it becomes preachy.
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I'm vain enough to want do a movie again, but right now more roles are the last thing on my list.
