Gwen Stefani Quotes
Quotes to Explore
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The cutting room is where you discover the optimal length of the movie.
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When I write a movie, I write it for me.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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Adam Sandler is a remarkable movie brand.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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'The Pianist' is a movie I could watch over and over again.
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In every movie I do have a dialogue.
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It was priceless. Being the UFC champion and having my kids in the Octagon, my wife, them holding the belt. That was like a movie.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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She is a peacock in everything but beauty.
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I love the idea of making a movie for kids but it's got to be that, with my take on it.
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I did a whole lot of work before taking up my first movie. From TV commercials to Telugu films, I learnt a lot from them all.
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When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'
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I love a good fight and I think a bad fight can ruin a movie. I really do.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
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I feel like I can be six different people in one day sometimes. Which is fun but also really strange in my own brain.
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It's always important for a coach to decide on the short term and long term - one factor doesn't block out the other.
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But I can't say that I didn't like John Hammond's performances often better than the originals.
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Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the 'Parks and Rec' characters.
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I'm vain enough to want do a movie again.
