Marianne Faithfull Quotes
Quotes to Explore
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I love Costas. He's knows too much, but he's a good guy.
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I was raised Catholic, but the devil was never with a pitchfork.
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Raise the taxes, and we find less money in our pockets. Lower the taxes, and we've got more money in those pockets, and we spend it on all kinds of things.
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I ain't never nervous. Never nervous.
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In terms of comedians, I loved, growing up, Jonathan Winters, Sid Caesar, Jackie Gleason, Phil Silvers, Carol Burnett, all those people.
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I never travel without my sketch book.
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Infants have around 30,000 tastebuds, only about a third of which survive into adulthood, so a child's sensitivity towards extremes of sweet, sour and bitter flavours is heightened.
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I've always kind of tried to do something that was a little different than just simple 'I love you, baby'-type songs.
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I invite you, from my sentiments, my convictions and my responsibilities, to work together in the construction of a Uruguay where being young is not suspicious, where aging is not a problem.
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The general image of a man in an American sitcom is like a complete moron. You'd think the industry was run by a feminist cabal.
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You can look at everything from pre-Heisman to post-Heisman, and I think that's why it ranks up at the top, because before then, I didn't even think I was good enough to be a professional ballplayer.
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I was influenced by European movies, old Fellini, old Kurosawa - any sort of foreign film.
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I'm sure that President Trump will do plenty of things that people don't like, plenty of things people do like, and the people who don't like it, at that point, certainly take advantage of your rights and protest it - and try to seek change or do whatever you want.
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Hear only the things you should hear - be deaf to others.
Ford Frick -
Nicole will come up in conversations where it's in a part of the conversation. Or we may be somewhere and I would tell some story about their mother and I. You know, we always honor her birthday.
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I like a good mono track, it's right up front. I don't need all the surrounds telling me there are birds in the neighbourhood.
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Certain exterior impulses hit the economic mechanism and thereby initiate more or less regular oscillations.
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(perhaps a different and better translation of the same remark) quoted by Barbara Tuchman in The Guns of August (Random House, 1962)
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I always like that sort of tomboy aesthetic.
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Seeing to it that a youngster grows up believing not just in the here and now but also in the grand maybes of life guarantees that some small yet crucial part of him remains forever a child.
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As long as I can make an audience feel something, I don't care whether it's a good thing or bad thing, just to feel something is important to me.
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I really like using genre to tell a story about characters but also use it as a Trojan horse to tell social or cultural commentary. That's where the best stuff, especially in the zombie genre, comes out of.
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I only do solo albums when songs are screaming at me to be let out of my mind.
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I am not frightened of much, but I wouldn't like to get ill.
