Marianne Williamson Quotes
There is a dichotomy between people who feel economic principles should order human civilization and people who believe humanitarian principles should order human civilization. That essential disagreement is underlying practically all our world drama.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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I've never left them to go do a film. No, we all go together. I could never leave them. My kids are my whole world.
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Mostly people are ignorant, what is the language of painting. You know, they're ignorant. It is so difficult to make them aware, but time will teach them.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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Having spent a number of my younger years with trade-union parents attending NUT annual conferences, I feel comfortable with an agenda in my hand and a procedural format for debate.
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If there is anything that a man can do well, I say let him do it. Give him a chance.
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At the end of the day, every decision I make about my music is about creating a collective.
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I've learned that the key is to fight with no pressure.
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I really bonded with my mom, growing up, through our love of horror movies!
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I grew up thinking it was wonderful to be big and strong and to be able to knock down other children in the playground if I needed to. But I never felt the need.
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I've lived in New York for 40 years. I came right after college.
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I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.
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Back in those days intimidation was the greatest tool the drill instructor had. Without that tool, he would not have had control.
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When I was a teenager, reading for me was as normal, as unremarkable as eating or breathing. Reading gave flight to my imagination and strengthened my understanding of the world, the society I lived in, and myself. More importantly, reading was fun, a way to live more than one life as I immersed myself in each good book I read.
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I think of a piece of music as something that comes alive when it is being performed, and I feel that my role in the transmission of music is to be its best advocate at that moment.
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I don't want to rap forever. But I want to be rich forever.
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The moral is that a career can be gone in an instant. And all you have in this world are the people you love.
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The parts of graffiti I like are really antagonizing still - it's not something that a museum would really embrace.
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I'm forever writing, forever looking for something to direct or produce, and always on the hunt for a great role.
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And that's the one thing that people do not understand is that we have very low interest rates and if those go back to historical levels or even go back to scary thoughts that they're back in the late '70s, early '80s, then that's going to really be hard to actually pay off those debts. It's going to be a - it's going to be a very big problem.
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I don't know how to work a room. It's a real skill.
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The notion of time bothers me. You look at thirty-year-old photographs and realize how the time has passed.
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There is a dichotomy between people who feel economic principles should order human civilization and people who believe humanitarian principles should order human civilization. That essential disagreement is underlying practically all our world drama.
