Marianne Williamson Quotes
Quotes to Explore
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I suffer greatly from nerves. I have stage-fright badly, and it gets worse, but the stage is still my life.
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We confuse activity with progress, and that's always dangerous, especially in war.
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I'm neurotic about children. I see dangers everywhere - sharp corners, stairs.
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My driving record is not exemplary, but I have never had a speeding ticket over 100 m.p.h. I can say that unequivocally.
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I always tell women to use the fact that we offer a different point of view in a room full of men, to their advantage. Because we often stand out, we gain a unique platform to demonstrate our knowledge and capabilities.
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I would love to do Shakespeare in New York.
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It's like someone important is missing from a party because you can't imagine an Olympic gymnastics competition without Romania.
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I consciously decided not to be a 'London' actor. Those gangster movies made a lot of East End actors think they were movie stars. And I was very aware that they were going to go out of fashion.
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I realized I was more convincing to myself and to the people who were listening when I actually said what I thought, versus what I thought people wanted to hear me say.
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I don't do guilt. Whatever I do, I do it happily.
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All fame is is having people you don't know coming up to you and saying, 'Hello.' I'm always polite and people are always nice, but it's weird.
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It has to do - I think - with growing up in an apartment, with my aunt and my cousins right next door to me, with the door open, with neighbors walking in and out, with people yelling at each other all the time.
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Great work is done by people who are not afraid to be great.
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The promise of any artwork is that it can hold us - viewer and maker - in a conflicted or contestable space, without real-world injury or loss.
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The night before the Nobel announcement every year, I've gone to bed feeling quite anxious. I was optimistic, and also I knew it might never happen.
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I'm a writer. My job is to speak what - that which I think is true. If that bridges the gap, that's good. If it doesn't, that's too bad.
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With the first 'Hatchet,' I had an epic battle with the ratings board. They kept giving the movie an NC-17. There is absolutely no way that movie should have gotten an NC-17. All the gore in it is so ridiculous and over-the-top that you can't take it seriously.
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For me, the most important thing is running a good clubhouse. The X's and the O's – you sit up in the stands and, for the most part, a lot of fans go to the game and they know what's going to happen. You're going to hit and run, steal, put a pitcher in, take a pitcher out.
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I saw Marti Pellow in pantomime in Glasgow one time.
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That the work involved, the willingness to take chances, the commitment, the opportunity to get on stage and make people happy, was more important than becoming famous, or even what I was dancing.
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It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
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Those things are all about timing. I thought for the first 10 minutes it was tough for both sides to get some shots. Both teams were playing very strong defensively. You have to fight for every inch, and suddenly a puck came loose.
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The first step in forgiveness is the willingness to forgive.
